ACE ATKINS CALLS INTO THE MURDER IN THE AFTERNOON BOOK CLUB

Infamous Cover ImageThis month, the Murder In The Afternoon Book Club goes down the outlaw road with Ace Atkins’ Infamous. The book is a well-researched historical crime novel concerning George “Machine Gun” Kelly. Ace will be calling in to talk about the fact and fiction of it.

Infamous mainly looks at Kelly’s biggest crime, the kidnapping of oil magnate Charles Herschel. Most of it was planned by his wife Kit, who goaded her husband into a life of crime. The book focuses on their relationship and Kit’s drive as they contend with a wily ex-Texas ranger out to nab them for the FBI and some criminals meaner than George out for the ransom money.

Infamous is a fun read, full of humor, vivid characters, and flying bullets. The fact that most of it really happened makes it all the more engaging. If you show up at our discussion you’ll find Ace to be as entertaining as his writing. We will be meeting on BookPeople’s third floor. Monday, the 18th, at 1PM. The books are 10% of for those attending.

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Meike Reviews THE BOOK ARTIST

The Book Artist: A Hugo Marston Novel Cover Image

Mark Pryor will join us at BookPeople on Saturday, February 9th at 6pm to discuss The Book ArtistCheck out our review and join us! 

All of us at MysteryPeople are huge fans of Mark Pryor’s Hugo Marston series and we agree that his latest—The Book Artist—is the best one yet.

Hugo Marston is a former FBI profiler who works as head of security at the US Embassy in Paris. The book takes its title from the opening scenes when Hugo’s boss, Ambassador Bradford J. Taylor, strongly encourages Hugo to attend an art exhibition at the Dali Museum. Hugo is initially reluctant–art isn’t really his thing, he’s more of a bibliophile–but he’s drawn to the exhibition when he learns that it involves sculptures created from rare books. (The fact that the artist is an “indescribably beautiful” young woman doesn’t hurt either.) When a museum guest is brutally murdered, Hugo jumps to help the police find the killer. And when they arrest someone Hugo believes is most certainly not the killer, he feels an even deeper urgency to bring the real culprit to justice.

Meanwhile, Hugo’s best friend Tom is getting himself into a spot of trouble in Amsterdam. In their former lives, Hugo and Tom were responsible for sending a man to prison. That man has been released, and Tom believes he may have traveled to Europe to seek revenge. As the pursuit unfolds, the avid Hugo fan finally learns some hidden truths about Hugo and Tom’s shared past.

It’s difficult to delve much further without divulging any spoilers, because there is one twist after another in The Book Artist. Pryor seamlessly weaves the disparate plot lines together, and his voice demonstrates a new level of assuredness.

Pryor’s characters have become old friends to this series devotee, and the long-time friendship between Hugo and Tom is just so much fun to witness. The hard-drinking, womanizing Tom is the perfect foil to the more serious and straight-laced Hugo. Underneath Tom’s relentless teasing one can sense his deep admiration and love for Hugo, and the affection runs both ways. In The Book Artist we finally get a glimpse into their shared past and learn how they ended up leaving their former employers.

And any discussion about the series has to include the setting. Pryor clearly loves Paris, and his detailed descriptions of the neighborhoods, the restaurants, and the people makes the reader feel greatly tempted to hit up Expedia for the next jet to the City of Light. If your budget won’t allow for that, at least pick up a croissant and fix yourself a café au lait to enjoy while you delve into The Book Artist!

Meike reviews Last Woman Standing

MysteryPeople contributor Meike Alana has reviewed Amy Gentry’s new novel, Last Woman Standing. Gentry will be in the store Tuesday, January 22nd, at 7pm to discuss her book and sign copies.

Last Woman Standing Cover ImageAmy Gentry wowed us with her debut novel, Good as Gone, and her latest suspense novel is every bit as thrilling. Last Woman Standing introduces us to Dana Diaz, a Latina stand-up comic from Amarillo struggling to make it in a comedy scene dominated by men and rife with sexual harassment. Dana has recently returned to the Lone Star State from LA after a split from her childhood friend and writing partner. She’s grown accustomed to expect little from an industry where she’s continually reminded that a woman (particularly a woman of color) has little value, but her frustrations have reached a critical point. What she has told no one is the real reason she left LA—she was drugged and sexually assaulted by a well-known comic she idealized during a meeting purported to be about discussing her future.

One night during her set she aptly fends off a vulgar heckler. Computer programmer Amanda witnesses the encounter and offers to buy Dana a congratulatory drink. One drink turns to several, and the two women bond over their shared experiences of injustice and misogyny. Soon they strike a kind of Strangers on a Train deal—each will seek revenge on the other’s abuser. Revealing more would be crossing over into spoiler territory, but the ensuing plot twists make for a riveting tale of deceit and paranoia.

There is a definite #MeToo vibe to the book, and Gentry shines a harsh light on the myriad injustices that women face every single day. The novel examines the issues of sexual harassment and assault from a variety of angles, including the confusion that a victim can experience. Dana doesn’t even know how to put words to what happened to her—she knows it was “bad” but doesn’t initially realize that the episode qualifies as assault. When she describes her experiences to her male best friend, he’s dismissive and tells her she’s overreacting–an all too often experience for survivors of these encounters. As she comes to recognize exactly how deeply she’s been violated, she also realizes that a long-buried event from her past qualifies as rape. When she’s finally able to express her anger, Dana is shocked at the level of rage she feels as well as the violence she may be capable of. After all, there never seem to be any repercussions for the male perpetrators—so perhaps women need to take matters into their own hands.

MURDER IN THE AFTERNOON DISCUSSES AN EARLY DON WINSLOW

January’s Murder In The Afternoon goes to sunny California to deal with some dark souls in Don Winslow’s earlier crime novels. The Winter Of Frankie Machine is a unique mob story in its approach and setting. It also shows the talent Winslow had early on.

The title character is known in his San Diego community as Frank Macchio, the affable older bait shop owner and surfer. When he comes home from a long day, he finds two men from his past, when he was enforcer Frankie Machine, standing in his driveway. Soon, he is chased by mobsters with no clear idea why. While alluding those after him, he examines his sordid past to figure out who is all behind this.

The Winter Of Frankie Machine will give the group a lot to discuss, the mob in Southern California, how the past is never past, reinvention. There is also a possibility Don will call into the club. We will be meeting on BookPeople’s third floor, at 1PM Monday January 21st. The book is 10% off for those planning to attend

3 Picks for January

The New Iberia Blues: A Dave Robicheaux Novel Cover ImageNew Iberia Blues by James Lee Burke
Dave Robicheaux has to contend with the body of a dead woman found floating on a cross, a wunderkind film director with plenty of secrets, and a new partner he’s falling for with her own history. Burke brings his sense of place, people and poetry to one of crime fictions most tortured cops.

The Silent Patient by Alex Michaelides

Psychotherapist Leo Faber’s obsession with the case of Alicia Berenson and artist who refuses to talk after she murdered her husband takes him to the run down psychiatric hospital she was put in. with only her art and a diary to lead the way, Faber unlocks what really happened that night. A thriller with one hell of a reveal.

Take Out by Rob Hart

Hard boiled author Rob Hart gives us a collection of stories involving crime and food. All of Hart’s pathos, humor, and style are on display here. The story “Creampuff,” about a bouncer at a pastry shop, is worth the price alone.

FINDING CHARACTERS IN A PATCH OF DEAD LAWN

Patricia Smiley was kind enough to write a piece for us about creating characters for her books. She’ll join us in the store January 9th for a panel discussion with Matt Coyle & Puja Guha to discuss their various subgenres.

Writers are curious people. We obsess about human behavior and construct theories about what motivates it. Sometimes our stories are personal. Sometimes we use newspaper articles filtered through our own sensibilities. Sometimes we simply make stuff up. That works, too.

The Second Goodbye (Pacific Homicide #3) Cover ImageWriter curiosity is never more important to me than when I create characters on the page. Finding depth and poignancy in each one is important because I want readers to care about the people in my books. Like many writers, I create a biography for all my characters, even the minor ones, which usually includes a sociological and psychological profile, a back-story, descriptions of speech patterns, gait, quirky habits, and a history of successes and failures that drive his/her behavior.

The essences of real people I know often inveigle their way onto the pages of my novels. This is especially true for Davie, her grandmother, and her boss Frank Giordano. The gender or appearance may change, but the core attributes remain. Character inspiration isn’t limited to friends and relatives. Strangers often make an impression, as well. Once long ago I was stopped at a red light on my way to work. I glanced over and noticed a homeless man on a bus bench, dressed in grimy clothing, gently brushing lint from the shoulder of his well-worn coat. That gesture was a poignant lesson I never forgot—that we can maintain our dignity regardless of our circumstances. Years later, that man’s ethos made its way into the character of Rags Foster, a homeless junkie in Pacific Homicide. When I began researching the second novel in the series, I used the war in Vietnam as a plot element. I interviewed former veterans, fictionalizing the pathos of their stories to craft Outside the Wire. I used the same process for The Second Goodbye, the third novel in the series, and had particular fun with a minor character named Gerda Pittman, a comic version of a former boss.

I’m always on the lookout for characters to populate my stories. For example, several times a week, I walk to the grocery store past a few remaining post WWII bungalows dwarfed by flashy new construction. Along the route I often see a wiry older man with slicked-back gray hair, working in his front yard. I’ve never noticed anyone else with him. Even on the hottest days, he wears a tidy wool suit jacket that has seen better days. The jacket is dark blue with wide lapels, outdated padded shoulders, and is paired with mismatched trousers. His dress shirt is buttoned to the neck without benefit of a tie. The ensemble seems from another world, possibly Eastern Europe or the Middle East.

In this Westside L.A. neighborhood, the summer-ocean breezes once cooled the houses. But the days have become hotter, even in winter, so his front windows are often open to catch any random puff of air. The exterior of the house needs paint and repairs but the gutters along the street are clean and tidy. Many days I see him bent over, sweeping away the debris with a battered kitchen dustpan and brush. Later, when I walk home with my bag of groceries, the area is spotless and any residue that may have crept onto his walkway has been swept away. He never looks up from his task to nod or say hello. I accept his terms.

What piques my curiosity is his front lawn, which is a patch of hard-packed soil except on the rare occasion when it rains. He apparently doesn’t like the look of the weeds that sprout in the aftermath, because he plucks each one out by hand until the area is once again a tidy field of brown dirt, raising all kinds of dramatic questions: Was there ever a lawn? Did the high price of water force him to let it die? Nonetheless, the compulsive weeding tells me he has a keen sense of order. I want to know the story behind his dignity and pride: where he’s from and what’s happened in his life that allows him to find purpose in a small patch of dead lawn.

Someday I’ll answer those questions in a book. The character may not be this man. It may be a woman. Her part may be small but she’ll be a metaphor for something important in the book. I’ll give her a happy ending. Maybe after all she’s been through she deserves that much, at least.