If you’re a fan of Joe Lansdale’s Hap & Leonard, get ready to be happy for a long time. A new novel Rusty Puppy is out (which Joe will be signing and discussing February 23rd along with author Kathleen Kent), followed by a limited edition novella, Coco Butternut, and a
mosaic novel dealing with their early years, Blood And Lemonade, coming in March about the time when the second season of Hap & Leonard on The Sundance Channel. We caught up to Joe to talk about some of the projects, his characters, race, and political correctness.
MysteryPeople Scott: Rusty Puppy is one of your best plotted novels. There are times when even Hap and Leonard find themselves surprised that they are thinking like private eyes. Did you have it mind to write a more traditional detective novel?
Joe Lansdale: Thank you. I don’t always think so much of plot lines as I think of story lines, and to some extent, they are different but can overlap. A story can grow naturally out of situations, not clockwork mechanisms, so I try to write plots that seem to be solutions to the events, not manipulations of the events. Sometimes it’s a bit more of one than the other. I do like a clockwork plot from time to time, but Hap and Leonard are usually a lot more free willing. I think this one seems more plotted, and I’m glad it works for you. I like to mix up my approach on the Hap and Leonard novels. Series are hard, because for them to be successful you have to ring certain bells already rung, and yet you have to try and make it feel fresh. Not always possible, or as satisfactory as you would like. You want the characters to remain the characters, but I’ve written Hap and Leonard as adventure novels, mystery novels, character pieces, road novels and even creepers, and sometimes all at the same time. Frequently, in fact.
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