April is for Mystery Lovers: Tons of Upcoming Events!

As we all enjoy the brief Texas spring, come take shelter from the pollen counts and enjoy our full roster of mystery events coming up in April here at the store. On April 2nd, Philip Kerr started off our April events with a blast, speaking and signing his latest continuation of his Bernie Gunther series, The Other Side of SilenceIf you missed the event, signed copies of his latest, as well as many of the previous volumes in the series, are available on our shelves and via bookpeople.com.

This past Sunday, April 10th, at 2 PM, Laurie R. King, author of the beloved Russell and Holmes series, as well as the fantastic Kate Martinelli series, joined us to speak and sign her latest installment in her Mary Russell series, The Murder of Mary Russell. While I’ve been reading the Mary Russell novels for many years, King’s newest addition to the series, delving deep into Mrs. Hudson’s backstory, might be my favorite in the series to date!

For those who missed this event, library enthusiasts will be pleased to note that in support of Austin Public Library, 5% of sales of all Laurie R. King titles sold in store on Sunday April 10th and 5 % of sales of The Murder of Mary Russell the week of April 5th (ending April 12th) will be donated to the library. Come by today or tomorrow, grab a copy of King’s latest, and support Austin Public Library. Signed copies available!

Just one day after Laurie R. King’s visit, Stuart Woods and David C. Taylor will be speaking and signing their latest novels, Family Jewels and Night Work, respectively, today, Monday, April 11th, at 7 PM. This event is a wonderful opportunity to catch up with Stuart Woods on his large oeuvre of bestselling thrillers, while getting to know David C. Taylor, an up-and-coming crime novelist who started out in the film biz.

Next up, Jessica Knoll, author of the stunning debut, Luckiest Girl Alive, comes to speak and sign this amazing novel on Saturday, April 16th, at 3 PM. Knoll has worked as senior editor at Cosmopolitan. She draws on both life and fiction for her debut, an intense look at high school trauma and its lingering effects, even for those who manage to reinvent themselves in adulthood.

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On Sunday, April 17th, Scott and Molly will reprise our panel discussion on how we compiled our MysteryPeople Top 100 Crime and Suspense Novels at the first ever Pflugerville Book Pfestival, happening Saturday the 16th and Sunday the 17th at the Pflugerville Library. The festival is sponsored by KAZI Austin, 88.7 FM, and put together by Hopeton Hay, host of Kazi Book Review with Hopeton Hay. Thanks to Hopeton and KAZI for putting this festival together and bringing the MysteryPeople Top 100 list out into world.

Then on Monday, April 18th, at 1 PM, the Murder in the Afternoon Book Club will discuss The Professionalsby Owen Laukkanen, with a call-in from the author. The Hard Word Book Club, meeting Wednesday, April 27th, at 7 PM, also has a special guest calling in to the discussion – Craig Johnson, author of the Longmire series, will call in to discuss his novel As The Crow Flies

Finally, we’ll finish out the month with a visit from Melissa Ginsburg on Saturday, April 30th at 3 PM. Ginsburg’s Houston-set debut, Sunset City, follows a barista on the hunt for her best friend’s murderer. Sunset City is our April Pick of the Month, and we’re glad to celebrate a powerful new voice in Texas crime fiction.

MysteryPeople Review: THE OTHER SIDE OF SILENCE by Philip Kerr

Philip Kerr joins us here at BookPeople this Saturday, April 2nd, at 4 PM, in conversation with Mark Pryor, author of the Hugo Marston series. Kerr will be speaking and signing his latest Bernie Gunther novel, The Other Side of Silence

  • Review by Molly Odintz

9780399177040Historical mystery fans, rejoice! The ex-Berlin-policeman-turned-cynical-anti-fascist-detective Bernie Gunther has returned. Philip Kerr has just released another fantastic addition to the series, The Other Side of SilenceGunther first appeared in Philip Kerr’s brilliant 1930s-set Berlin Noir trilogy, where he begins the series as a Berlin homicide detective, quits to become a private investigator, and alternates between jobs commissioned by the regime and by the victims of the regime. Later volumes in the series follow Bernie through the war, to the Russian front, to a prison camp, to France, and to all over South America. The series frequently features two timelines with linked or similar cases, to explore Bernie’s exploits in a non-linear manner.

In Kerr’s latest, Gunther, working for a hotel in mid-50s Paris, goes on a search for a new bridge partner after his previous partner dies in a lovers’ quarrel. His quest for bridge players brings him to a journalist on assignment to write a biography of Somerset Maugham, who loves bridge as much as he hates everything else. Gunther, spurred by the lethal combination of a beautiful woman and offer of money, goes to Maugham’s estate to unlock the great man’s secrets.

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MysteryPeople Q&A with Philip Kerr

 

 

-Interview by Molly Odintz

Philip Kerr’s latest Bernie Gunther novel, The Other Side of Silencewas released this past Tuesday, heralding a visit from the author to our fine store. Come by BookPeople this Saturday to meet one of the best historical mystery writers ever – I say this as a mega-fan, but everyone knows how good this series is. Kerr will be speaking and signing his latest addition to the Bernie Gunther series this upcoming Saturday, April 2nd, at 4 PM. Kerr was kind enough to answer a few questions from us before the event. 

Molly O: In your latest, you seem to take inspiration from classic espionage fiction, and le Carré especially. You’ve made use of a number of different subgenres in your Gunther novels, even using some golden-era detective novel conventions. How do you decide which subgenres to draw upon for each Gunther story? Who are some of your biggest influences, as far as style is concerned?

“I tried to make the [Somerset] Maugham in my book as much like the real one as possible. This was easier than it might have been because of course he too was a novelist, and like me he had similar preoccupations and concerns. I felt I understood him. Sympathised. We are very alike in many ways. He just happens to have been gay and rich. I am straight and not so rich. But in all other ways we are quite alike. I think I am as much of a bitch as he is. And very probably as promiscuous.”


Philip Kerr: I don’t make a conscious decision to draw on any subgenre. I don’t pay a lot of attention to any genre. I like le Carré. I think he’s a fine novelist. It just so happens he writes about spies. My biggest influences are people like Chandler, le Carré, F.Scott Fitzgerald. Each story contains its own dynamic and I try not to draw on anyone else except History itself. I don’t observe conventions so to speak. I just try and make the story as real and unpredictable as possible.

MO: I’m going to ask you a very serious question – HOW IS BERNIE GUNTHER STILL ALIVE? I know that as a series character he has to keep going, but does it become increasingly difficult to ensure his survival through the many challenges you put him through?

PK: Many people survived in fairly extraordinary circumstances. Much of his resistance occurs inside his head. He makes jokes, but these are only ever made to people who are as cynical as he is. Plus he’s a Berliner and many Berliners shared a similarly dim view of the Nazis.
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Edgar Nominations Announced!

 

mwaThe nominations for the 2016 Edgar Awards were announced last week. This seemed to be the year where great minds think alike – many of the nominees made in on to our best of 2015 lists, put together by Scott and Molly. 

We want to congratulate old friends and new favorites, including Duane Swierczynski, nominated for his novel Canary, David C. Taylor, for Night LifeMichael Robotham, for Life or DeathMegan Abbott, for her short story “The Little Men,” Philip Kerr, for The Lady From Zagreb, Lou Berney, for The Long and Faraway GoneLori Rader Day, for Little Pretty Things, David Joy, for Where All Light Tends To GoGordon McAlpine, for The Woman with the Blue Pencil, Jessica Knoll, for Luckiest Girl Alive, and Adrian McKinty, for Gun Street Girl.

Congratulations all the others who made it. Best of luck to everyone and have a great time in New York.

Click here for the full list of Edgar Nominees.

MysteryPeople Review: THE LADY FROM ZAGREB by Philip Kerr

lady from zagreb

– Post by Molly

Philip Kerr’s latest Bernie Gunther novel, The Lady From Zagreb, is released today, and I am pleased to report that The Lady From Zagreb is another stellar excursion into the noir nightmare of mid-20th century history. The Lady From Zagreb is Kerr’s tenth book in his Bernie Gunther series, and perhaps that’s why the novel brings together so many strands, styles and inspirations from Kerr’s previous work, as well as continuing to expand on Bernie Gunther’s wartime experiences as a way of exploring various fronts and the incredible variety of inhumanity characterizing the period before, during, and after the Second World War. Kerr’s last few Gunther novels have placed Bernie at the scene in a number of iconic WWII moments, including the Katyn Massacre, in A Man Without Breath, and Prague under Heydrich’s less-than-gentle administration, in Prague Fatale.

The Lady From Zagreb is no exception – the novel contains, among many other priceless moments, a conference on international crime held at the Wannsee Villa, site of the more infamous Wannsee Conference, where the Final Solution officially became Nazi policy. As per usual, Kerr treads a fine line between pointing out those ludicrous and somewhat humorous aspects of the Nazi regime, elegantly incorporating mystery genre conventions into an appropriate historicity, and plunging his audience into the daily horror that is the fascist reality.

Kerr’s setting and his style are the perfect fit once again, as Bernie Gunther takes a tour of the worst Ustaše (a Croatian puppet government of the Nazis) atrocities in wartime Croatia while on assignment from Goebbels to locate the missing father of a Slavic film star. Upon his return to Germany, Gunther must go off to Switzerland to convince the actress to star in an upcoming propaganda film. While Bernie’s time in bombed-out Berlin and carnage-strewn Croatia will please those fans of Kerr’s wartime novels, Gunther’s trip to Switzerland, Europe’s impossibly peaceful valley of the uncanny, acts as a worthy heir to the menacing atmosphere yet relatively low body-count of Kerr’s Berlin Noir Trilogy, or more recently, Prague Fatale, Kerr’s tribute to the locked-room mystery, which I can only describe as ridiculously amazing.

Kerr’s work draws much of its literary power from the basic irony of trying to solve a small crime in the midst of a large crime – a theme historical detective fiction returns to over and over, examples including, but not limited to, Robert Wilson’s A Small Death In Lisbon, Hans Helmutt Kirst’s Night of the Generals, or in Marek Krajewski’s The Minotaur’s Head. The small crime acts as a measurement for the larger one, contextualizing its magnitude, and increasing the novel’s resonance. Kerr’s Gunther series, as it has evolved, has continuously explored this contrast in a number of different environments, and at this point, Kerr has managed to bring to life, through small investigations by a clear-eyed yet sentimental protagonist, many of the worst moments of the twentieth century.

One of my favorite things about Philip Kerr’s novels is that they solve a basic plausibility problem of the detective genre: one of those nit-picky details that has always bothered me about detective novels set in peacetime, or in countries with incredibly low murder rates, is that the fictional murders tend to vastly outpace real-life statistics. Fortunately, when you set a detective novel in Nazi Germany, you can kill off as many characters as you would like, and the novel will remain plausible throughout. Although it would be near-impossible for The Lady From Zagreb to outpace the body count of previous novels, never fear – Kerr’s latest certainly keeps pace.


 You can find copies of The Lady From Zagreb on our shelves and via bookpeople.com. Keep a lookout later in the month for an interview with Philip Kerr. 

International Crime Fiction: Adrian McKinty’s TROUBLES TRILOGY

adrian mckintyPost by Molly

Adrian McKinty wrapped up his Troubles Trilogy earlier this year with his novel In The Morning I’ll Be Gone, thus concluding some of the most thought-provoking, historically well-grounded, and satisfying crime fiction trilogies ever written. For this month’s international crime fiction post, we have decided to profile McKinty’s trilogy but with a special emphasis on his recent concluding volume.

Few trilogies are able to take a set of characters and a few plot twists and slowly add on all the world’s cares until you a have a sweeping condemnation of an entire society. Phillip Kerr’s Berlin Noir Trilogy did this for Germany in the thirties. John Le Carré’s Smiley Trilogyconsisting of Tinker, Tailor, Soldier, Spy, The Honourable Schoolboy, and Smiley’s People, did this for the winding down Cold War in the 70’s. And Adrian McKinty’s Troubles Trilogy does this for the height of sectarian violence in Northern Ireland in the 80’s.

McKinty’s three Detective Sean Duffy novels seamlessly integrate multiple aspects of Northern Ireland’s troubles to provide a narrative that demonstrates all the intransigence and complexities of the conflict. His first novel in the series, The Cold Cold Ground, takes place in Northern Ireland at the height of the hunger strikes. Detective Sean Duffy is put on the case of what appears to be a serial killer targeting gay men, and may turn out to have larger political implications. McKinty’s second novel in the series, I Hear The Sirens In The Street, follows the mysterious case of a tanned torso found in a trunk, bringing the political intrigue to the fore. His third, In The Morning I’ll be Gone, follows Duffy on a quest to find an old classmate escaped from jail against the background of the Falklands conflict.

McKinty carefully designs his detective, Sean Duffy, to have an outsider perspective. Duffy is one of the few Catholics in a Protestant dominated police force. His minority viewpoint serves as a moral challenge to his generally bigoted and lazy coworkers, who view their prime purpose as backing up the British soldiers rather than solving crimes. Sean Duffy is also possessed of a manic curiosity that refuses to let him leave well enough alone, and constantly gets him in trouble for asking too many questions. He has a fairly realistic trajectory to his character arc over the trilogy, in keeping with the brutal realism of a Northern Irish setting.

In each book, he battles with his superiors over his right to solve politicized crimes in an apolitical way, and by the start of McKinty’s third book in the trilogy, Duffy has been busted down to patrol officer and no longer spends his days solving murders, but instead engages in mini bursts of violence with the IRA all over the six counties. Luckily for Sean, an old classmate escapes from prison and some oh-so-secretive Brits promise Duffy temporary reinstatement as detective inspector if he agrees to hunt his old friend down.

Duffy gets fairly reflective over the symbolism of such a search – his classmate had turned Duffy down when he tried to join the IRA right after Bloody Sunday, and in the parallel universe where Duffy did join, then they would have ended up as comrades instead of enemies. Instead, Duffy stayed out of the IRA just long enough to get sick of their tactics and join the police instead, and now he checks for car bombs daily instead of making them. This third book is not only a search for a parallel Duffy that could have existed, but also a confrontation with those parts of Sean’s mind that have never felt comfortable being a part of an oppressive occupying force that discriminates against him. A third part of Duffy, the part of him that loves confiscated hashish and the company of a good woman to the background soundscape of Lou Reed, is just happy to once again do a job that challenges him. Sean’s apolitical ability to excel is the aspect of the novel that really helps to provide perspective on the conflict. Duffy’s consistent inability to find a non politicized space for his talents represents the true tragedy of a sharply divided country.

Sean Duffy goes from valued member of the police force to Judas in three novels, through no fault of his own. The way that the British secret service manipulates Duffy into killing his old friend stands for the impossible choices of a troubled nation. McKinty certainly writes with a plague on both your houses mentality, and one gets the sense that he, too, must have felt the shackles of choosing sides in his youth. The British, however, come out looking worst of anyone. Duffy’s handler delivers a chilling speech at the end of the novel summarizing the entire conflict, and it’s no disservice to the rest of the novel to quote a little bit here:

“I’ll tell you a little story. After victory in the Franco-Prussian war, an adjutant went to General Von Moltke and told him that his name would ring through the ages with the greatest generals in history, with Napoleon, with Caesar, with Alexander. But Moltke shook his head sadly and explained that he could never be considered a great general because he had ‘never conducted a retreat.’…That’s what we’ve been doing since the first disasters on the Western Front in the First World War. Conducting as orderly a retreat as possible from the apogee of empire. In most cases we’ve done quite well, in some cases – India, for example – we buggered it.” (307)

For fans of:

Stuart Neville
John Le Carré
Jean-Claude Izzo
Philip Kerr

Follow the MysteryPeople blog to find our monthly posts profiling the best in international crime fiction.

MysteryPeople Q&A with Philip Kerr


~post by Molly

Philip Kerr takes a break from his Bernie Gunther character to write Prayer, a contemporary story of an FBI agent going after religious extremists in Texas. Molly caught up with Mr. Kerr and gave him a grilling in this Q&A. Also, take the time to read Molly’s outstanding review of Prayer.

MYSTERYPEOPLE: In your new novel Prayer, there is quite a bit about not just religious people but religious theory and theology. What was your inspiration for exploring religious concepts in such detail? Where does the root of your enjoyment of religious theory lie?

PHILIP KERR: I was brought up in a very religious home. My parents were evangelical Baptists, and until the age of 14 I went to church as many as three times on a Sunday. At home we never started a meal, without speaking to Jesus. But I knew I was never going to hack it as a Christian. There was too much going on inside my head. I wouldn’t call myself an atheist; I think a more respectable intellectual position is to say that logically one cannot prove the non-existence of God any more than one can prove his existence. But God is different from most organised religion which seems like nonsense to me.  What it boils down to is this: if your truth and my truth are very different, we have to agree, logically that neither of us has a monopoly on truth. However religion doesn’t work like that. Religion says that if your truth is not the same as my truth than you are an infidel or a heretic, or an apostate, or some other pejorative beloved of religion. Which makes for a good place to start a crime novel.

MP: Some of the later scenes in Prayer can be described as, well, spooky, and much of the plot reads more like a horror story than a detective novel. Did you deliberately set out to bring in a bit of Edgar Allen Poe to your writing or did the crimes you conceived for the novel lead to that naturally?

PK: It’s meant to be Gothic, yes. Texan Gothic. Sounds good, huh? Don’t get me wrong; I love Texas. I brought my wife and kids when I was researching Prayer and we had one of the best vacations ever in Houston. We stayed at the Houstonian. We got a personal guided tour of the Johnson Space Center by a shuttle commander who likes my books. We visited Galveston. We went to Dealey Plaza. The weather was great. I hung out with the FBI, who couldn’t have been more accommodating.  I  wanted to make a standard police procedural turn into something else, in the same way that Bill Blatty did with The Exorcist. I have always loved that book. And the film. But I wondered how Blatty might have approached his story if he was writing it today. And that was my starting point.

MP: I noticed that a commonality between the Bernie Gunther novels and this new novel, set in modern day Houston, is that you draw from right-wing extremism for villains in both. What brings you to a particular fascination with the crimes perpetrated by those who are motivated by racist and anti-Semitic doctrine? And why focus on religious extremism in particular when previously you have been more concerned with the extremes of political doctrines?

PK: I think there’s just a lot of intolerance around, especially in religion. My truth is better than your truth etc. The world would be a lot better off if people just decided to let God look after his own reputation, honour, etc; if he is God he doesn’t need the help of men to fight his battles for him. Anti-Semitism I find especially baffling; surely after what happened in WWII it’s time we all agreed to let the Jews off the hook – so to speak – for what happened to Jesus. Haredim aside Jews are just ordinary folk like you or I. Let’s pick on someone else for a change.

MP: Two things struck me as particularly of the zeitgeist in the book. First, you introduced several gay characters. Second, you also spent some time on the main character’s OCD, which to me felt like part of a new awareness of mental health issues across the board. Do you feel that writing fiction set in the present day allows you to explore modern themes more easily than when saddled with the attitudes of the past in your historical fiction?

PK: It’s very liberating, yes, to write a present day story. Interestingly the gay character in the book didn’t reveal herself as gay to me, until I had to write that page. It was a big surprise, but I like it when characters take charge of their own destinies like that. The OCD thing was interesting to me because I think a lot of detectives are obsessives anyway. They have to be. Watch True Detective and tell me that those two characters are both normal regular guys; they’re not; they’re fucked up. Big time. I loved that show.

MP: Much of your book could be set in, forgive me for saying, any old southern town. Why Texas, and why, in particular, Houston? You seem interested in the history of Texas as a history of violence, particularly politicized violence, and is this a significant part of your choice of setting?

PK: Well, let me come back to my love for Texas. If you come from Scotland like I do, you’re reared on a love of the idea of Texas from a very early age. I was weaned on John Wayne films. That plus the fact that my Dad worked for an American firm, and many of his colleagues were from Texas meant I always wanted to go. When I first went to Texas I thought it would be very red neck and in fact it wasn’t like that in the least. I found Texans to be very thoughtful, courteous people. But why did I pick Texas? Simple. Everything is larger in Texas – everyone knows this. Which is probably why they have the largest churches in the world. That’s why I picked Houston.

You can read Molly’s review of Prayer by Philip Kerr here.



Philip Kerr will read from & sign his new novel here at BookPeople on Saturday, May 10 at 4PM. You can p
re-order signed copies of Prayer now via bookpeople.com