On Monday, October 5th, the 7% Solution Book Club meets to discuss Patricia Highsmith’s debut, Strangers on a Train. November’s book is The Murder of Roger Ackroyd, by Agatha Christie. As always, book club selections are 10% off at the registers in the month of their selection.
- Post by Molly
Patricia Highsmith, in her long career, became one of the world’s most renowned crime novelists, and was one of the first women to be accepted into the mystery cannon as a master of psychological suspense. She has stayed in print continuously, when most of her female contemporaries had no hope of a classic reissue.
Her often-filmed Ripley stories catapulted her into long-lasting fame; yet even her debut novel, Strangers on a Train, was made into a classic noir by Hitchcock with a large following to this day. While many of the greatest mystery plots have been replicated often enough that it is difficult to notice the creativity of even the original, Highsmith’s unique simplicity of narrative, especially in her debut, stands alone, and feels as disturbingly plausible today as when it was first published.
Highsmith had many obsessions throughout her life, including at times, a preference for the company of snails over that of people. In her writings, she is fixated on obsession itself, and with the violence hidden within an ordinary individual, brought out by the repressive dysfunctions of a conservative society. She concerns herself with the point at which obsession becomes compulsion, and the moment when that compulsion becomes action. Highsmith’s style is almost synonymous with the definition of noir; her novels are characterized by as much atmosphere as action; she follows ordinary people changed by violent acts, and has no easy division of character into good or bad, cop or criminal.