REVIEW: ADRENALINE JUNKIE BY LES EDGERTON

When Les Edgerton asked if I wanted to read his memoir, Adrenaline Junkie, I jumped at the chance. The several times I’ve hung out with Les have always been entertaining, partially due to the stories he has told of his outlaw life. I strapped myself in for several wild rides when I opened the book, but even knowing what a master story teller he is, I didn’t expect the journey he took me on.

Adrenaline Junkie: A Memoir Cover ImageWe start out with anecdotes from a Huck Finn-style childhood in postwar Texas. Most of it was under the eye of his grandmother, a tough business woman who had as much affect on him as his parents. One of the first heart breaking moments is when his family has to move away from her.

After some time in the Navy that included a tryst with future international sex goddess Brit Eklund, and college, Les fell into a life of crime with very little need for encouragement. Some involved drugs, but most involved theft. Many of these recollections are funny, like robbing a laundromat, knowing a patrol car is out front, and a shoot out during a heist that has an only-in-real-life twist. Les and his cohorts are far from master criminals. They are mainly guys who don’t want to grow up, feeling that luck is in their favor.

Luck finally runs out and Les finds himself in the prison system. He avoids both portraying his incarceration with macho bluster or overselling the horror of the place. He presents it as existing in a society where both routine and adaptation become a daily part of life.

His avoidance of over dramatization is never more apparent than in the chapter he devotes to being raped by a fellow inmate. Just by recalling the the details he remembers and the feelings he had at the time, Les knows this moment is harrowing enough. He perfectly balances the personal and the subjective as we get the feeling that he is still processing the crime after all these years. By avoiding any grand declarations, he neither belittles the violation or other victims of it.

What completely floored me was how the wildest and most adrenaline fueled parts of Les’s life came in the 80’s as hairdresser who put Warren Beatty’s Shampoo character to shame. Learning the trade in prison, Les built a salon and a national name for himself in the business. The money and success bought him a life of sex, drugs, and dangerous romances that almost put him back behind bars. Les allows you  to laugh at many of these harrowing moments and feel happy they didn’t happen to you.

This part of the book, of bouncing between successful businessman and self-destructive hedonist, becomes more vivid since it embodies the theme Les seems to be writing toward. If there is an antagonist in Adrenaline Junkie, it is boredom. Les is often searching for peace then screwing  it up. His goal is to find grace, but the temptation of chaos constantly knocks at the door. It also reflects his life as writer, working to find order within those experiences. We root for Les, like we would a fictional character, for him to finally get it right, mainly because this colorful life  eventually becomes exhausting.

For a memoir to work, the writer must not only have a life worth writing about, but he must know how to examine it. Les Edgerton seems to be as astonished as we are sometimes, with bemused asides at many of its darker moments. He makes no excuses. If he holds himself up as anything, it’s as a survivor, mainly of himself. He gives us no moral to the story of his life, but shows us how he finally found his grace. As a friend, I’m happy he came out the other side. As a reader, I’m glad he lived to tell the tale.

Advertisements

Interview with Nancy Boyarsky on writing in the #metoo era & more

Liar Liar: A Nicole Graves Mystery (Nicole Graves Mysteries) Cover ImageFor her third mystery novel featuring protagonist Nicole Graves, Nancy Boyarsky has written an intriguing thriller that turns what could have been a predictable #metoo movement novel on its head.

In Liar Liar, Nicole is tasked with babysitting a witness who has accused a university’s star quarterback of rape. While the witness, Mary Ellen Barnes, has come off as squeaky clean in public, Graves quickly sees that things are not as they seem.

Soon Mary Ellen goes missing and Nicole, over the objections of her fiancé, gets increasingly in the middle of the case. And then a key figure in the story dies. What follows are twists and more twists.

Boyarsky coauthored Backroom Politics with her husband, journalist Bill Boyarsky, as well as several textbooks by herself on the justice system as well as writing articles of many publications.

She is currently working on her fourth mystery about Nicole in addition to a memoir about growing up in Oakland called Family Recipes for Gastroenteritis.

Scott: Where did this story come from and how did it develop?

Nancy: The plot of Liar Liar involves a rape trial that becomes a murder trial. The idea came to me long before #Metoo got rolling. I started thinking about it three or four years ago when a close friend of mine, who’s a private detective, told me about a rape case at a local college. She’d been hired by the college to interview everyone who had knowledge of the incident and write a report without drawing any conclusions. Normally, her cases are confidential, but someone leaked the report online, and Esquire ran an article about it. It involved two very drunk 19-year-olds, and the fallout from their encounter was pretty interesting. It got me thinking about how difficult it is to determine who’s the responsible party in a “she said, he said” situation.

Of course, I had to change all of the circumstances, since I wouldn’t have had a murder mystery without a dead body. In the real-life case, the parties seemed to be traumatized but no one died. I also changed the locale, setting the college in Malibu rather than in urban L.A.

Scott: How did you create and develop the protagonist, Nicole Graves, for this series?

Nancy: When I wrote the first book, The Swap, I wanted to create a main character who was smart, likeable, curious and doggedly persistent. I’ve read too many books featuring detectives who are emotionally damaged; it almost seems a requirement for this type of character. I wanted my heroine to be a normal, reasonably well-adjusted person. As I went through innumerable rewrites of The Swap, Nicole emerged.

Scott: How would you describe her?

Nancy: As I said, she’s smart, likeable, and doggedly persistent. She’s curious about the people she meets and wants to know everything about them, which is probably one of the traits made her become an investigator. She’s also petite and sweetly pretty with dimples. This bothers her. She feels that some people don’t take her seriously because of her looks. But sometimes it’s an advantage to people have underestimate you.

Most importantly, Nicole is a risk taker, and wants to make sure justice is served. She can’t bear standing by and watching when she knows someone has unjustly been accused of a crime or when the guilty party gets away, leaving an innocent person to take the blame. Oh, and she’s also a romantic. She’s has fallen in and out of love a few times during these stories.

Scott: In what ways are you like her? In what ways are you different from her?

Nancy: Well, I’m certainly not as brave as she is, and I wouldn’t call myself a risk taker. On the other hand, I do share her curiosity about people—what makes them tick, their secrets, their hopes and dreams. I share her desire to see justice done. I’m also petite and (while I don’t have dimples) have a benign appearance that sometimes makes people underestimate me.

Scott: I bet you thought about the #Metoo movement while writing this book in which a character accuses a well known person of rape. What are some thoughts you have about the movement?

Nancy: I’m a big supporter of #Metoo, and it was a lucky coincidence that Liar Liar was published as this movement was snowballing. I don’t know any woman who hasn’t been harassed or sexually victimized at some point in her life. I can remember being a teenager walking down the street and getting cat calls from, for example, construction workers. This was embarrassing and upsetting. But so many much worse things happen to women on a daily basis. It’s good that women are able to come forward and confront abusers about what they’ve done. On the other hand, we have to be careful not to get carried away. For example, there was the woman who anonymously denounced the stand-up comic Aziz Ansari for what many would call a bad date. I thought that was going too far.

In Liar Liar, the story the victim tells is not really what happened. She has been sexually victimized and exploited, just not in the way she says. And the man who’s wrongly accused isn’t completely innocent. But cases like this rarely happen. I believe the vast majority of victims are telling the truth. According to the National Institute of Justice, most rapes, attempted rapes, and other sexual assaults are never reported. Why not? The institute referred to a study that gave a number of reasons: self blame, shame, fear of the perpetrator, fear of not being believed, and lack of trust in the justice system.

Scott: So this is the third in your series — should readers start with the first book or is it okay to start with this one?

Nancy: You don’t have to start with the first one at all. Each book stands on its own. If anything happens that refers back to an event in one of the earlier books, I give a brief explanation.

I wrote the first book, The Swap, as a stand-alone; I had no intention of basing a series on Nicole Graves. When it was done, I’d left a lot hanging in the air. By this time, Nicole seemed almost real to me. I started wondering what would happen to her next. As I thought about it, my second book, The Bequest, began to take shape.

Scott: I understand at one point you were the associate editor of Los Angeles Lawyer magazine. Did that help with writing about lawyers in this book?

Nancy: One of things I always had to offer employers was my ability to translate legalize and legislative language into plain, simple terms that the average reader could understand. So, I guess my experience with L.A. Lawyer helped me out there. I did the same kind of work at ARCO, where I was director of communications for political affairs for many years, mostly writing about legislative proposals that affected the oil industry. But my main resource for the workings of the justice system in Liar Liar was my brother-in-law, Jeff Boyarsky, who is a newly retired criminal-defense attorney. I was always asking him questions about what would happen before and during the trials in the book.

Scott: What do you hope readers will take away from this book?

Nancy: I hope they’ll be entertained and that the book will take them out of their world for a while. It would also be good if the book could enlighten them a bit about the legal process and what participants in such trials go through.

Scott: How did you research this book?

Nancy: For quick facts, for example how a particular gun would behave in Nicole’s hands, I used Google. The internet makes this kind of research very easy. In the dark ages before the web, I was a freelance writer. To get information, I had to make a lot of phone calls, spend time in libraries, become an expert at using The Reader’s Guide to Periodical Literature and looking at newspaper microfilms. Yikes! That was a lot of work.

For Nicole’s adventures, I have two main experts I rely on—my lawyer brother-in-law and my friend who’s a private detective. They answer questions as I go along and read the manuscript when it’s done.

Scott: How far out have you planned this series?

Nancy: Not at all. I’m just finishing up Book 4, The Ransom, which is due at my publishers on January 10th and will be released next September. I’m thinking that book 5 should take Nicole to Europe. Maybe London again, which was the setting of The Swap.  I know the city pretty well from our visits there. Or maybe Italy or France. I don’t even plan the book I’m working on advance. I just develop it as I go along. While preoccupied with that, it’s impossible to think about what will be in the next book.

 

SCOTT BUTKI’S INTERVIEW WITH ALAFAIR BURKE

You Don't Own Me (An Under Suspicion Novel) Cover ImageMary Higgins Clark and Alafair Burke have joined forces again for a new book in their Under Suspicion series, You Don’t Own Me.

Longtime mystery writer Clark has joined with younger writer Burke in this series about television producer Laurie Moron who has a television show to solve murders.

With this latest book, Laurie Moran is trying to solve a celebrity doctor’s murder while a mysterious person stalks her. The doctor’s wife, Kendra, is the one under suspicion and acting strangely. The show is her chance to explain herself… and hopefully find the real killer, if it’s not her.

I previously interviewed both writers for The Cinderella Murder, the first in the series. This time I was lucky enough to be able to interview Alafair, who was written some excellent novels on her own.

Scott Butki: How did the story for You Don’t Own Me come together? Was it an idea you had or Mary had?

Alafair Burke: We came up with every aspect of this book together.  We talked through various character and plot ideas we had been playing with individually and wove them together into a single story.

Scott: How would you describe the character, Kendra, who is initially seen as possibly being responsible for the death of her husband?

Alafair: I think Kendra Bell is one of the strongest characters that Mary and I have created together.  She put aside her own promising medical career to be a wife to her successful husband, Martin, and a mother to their two children, only to have her seemingly perfect marriage unravel and then to become the leading suspect in Martin’s murder.  She’s sympathetic and likable in many ways, but flawed enough that she might just be guilty. Without giving away the “who done it,” I’ll say that I think most readers will come away thinking she’s more complicated than first meets the eye.

Scott: How do you and Mary divide up the work on the series you are writing together? Do you write alternating chapters or one has big ideas and the other figures out the smaller details?

Alafair: Neither one of us outlines our own solo books, so we have to change things up when we work together.  What really helps is that we both find plot through character. We talk through every single character — who are they, what’s their backstory, what are their biggest fears and secrets, what’s their journey during the book?  The characters lead us to the plot. Only when we think we have it all do we begin writing, and we start with a synopsis that contains every element of the book. That’s a document we pass back and forth until we basically know the book.  One of us then sketches out a first draft, which we pass back and forth to flesh out. That’s the best I can do to explain the process, but we work together seamlessly at this point. I still have to pinch myself sometimes!

Scott: How do you divide up your work on your own novels versus these done on collaboration? For example, I’ve heard of writers listening to different music for one series versus another?  Do you avoid work on your own books when working with Mary?

Alafair: No, I don’t have any of those kinds of rituals.  Maybe it’s an old habit from lawyering, but I can work on multiple projects at once, though I certainly prefer to be doing the deep work on one while editing or tweaking another.  But the work needs to get done, and that’s the priority.

Scott: How did you and Mary go about researching this book?

Alfair: Most of it takes place in downtown Manhattan, which is my neighborhood, so I like to say that all the hours I spend walking around constitute research.  I don’t love actual research, so fortunately, this book didn’t require much. I think Mary and I are both in the habit of writing from what we know.

Scott: What do you hope readers will take away from this story and others in your series?

Alafair: I got hooked on crime fiction through long-running series characters, especially strong female characters like Kinsey Millhone (Sue Grafton), VI Warshawski (Sara Paretsky), Sharon McCone (Marcia Muller), Kat Colorado (Karen Kajewski), and Irene Kelly.  I’d like to think that Laurie Moran could hang with that crowd. She’s also surrounded by a rich supporting cast, both at home and work. A good series book is like a visit from an old friend, and I hope readers feel that way about Laurie and her gang.

Scott: Last time I talked to you, in December 2014, you were really into Serial. What crime-related programming are you currently into?

Alafair: I have been cyberstalking a few actual cases myself, but am not deeply into any true-crime programming right now.  I am counting down the days, though, for a podcast Michael Connelly is creating called Murder Book. It’s starting in January.

And though it’s not true crime, I just binged the hell out of Ozark and am about to start (finally) Killing Eve.

Scott: Looking back, was the jump from prosecutor to criminal law professor and novelist a big change or more of a natural progression?

The Better Sister: A Novel Cover ImageAlafair: It all felt normal to me, but I’m sort of a weirdo.  I’ve been both a professor and a novelist for fifteen years. It’s hard to imagine not doing both.

Scott: How long do you see this collaboration going?

Alafair: As long as readers will have us!

Scott: What are you working on next?

Alafair: My book, The Better Sister, will be out on April 16, and I’m working on the screenplay for The Wife.

 

REVIEW OF FOREVER AND A DAY BY ANTHONY HOROWITZ

Forever and a Day: A James Bond Novel Cover ImageIn Forever and a Day, Anthony Horowitz takes on the iconic spy James Bond for a second time. He goes further back to his first mission as 007. While new to having a license to kill, he proves to be lethal from the start.

When the previous 007 is murdered, Bond is recruited into the program. His predecessor noticed something odd about the drug smuggling in Marseilles — it had become almost non-existent. MI6 sends Bond out to find out what the agent learned about this dip in crime that got him killed. When asked what number he’d like to have with his double 0, he chooses seven to let them know they keep coming.

Marseilles proves to be a hive of dangerous scoundrels. After a brief altercation at the previous 00’s villa, Bond befriends Reade Griffith, an amiable CIA agent who shows him around the port city. He soon realizes the person he must find is Sixtine, a sultry freelance spy master with a tragic past, and a certain way she likes her martini. It all leads to a plot of international scale where few can be trusted.

Horowitz captures the flavor of the early Bond books. He replicates the cool tone and matter of fact attitude Bond carries, even in killing. He realizes that even though he may be new to the Double 0 circle, he would be a capable agent. Most of the missteps he makes are in his emotions.

The book also perfectly weaves Bond history into world history. We get Bond’s first meeting with M and a charming one with Moneypenny. Horowitz also plays with expectations of the the cannon, such as his choice of gun. He  uses the cold war backdrop of the fifties to perfect effect, having it play into the villain’s plan and the perfect twist of a last chapter.

Forever and a Day is a treat for Bond fans, particularly those who dug the Ian Fleming books. It is both dry and punchy as the spy’s favorite drink. This kind of mission may be new to the freshly minted 007, but it provides the kind of familiar entertainment his fans have loved for decades.

Interview With Timothy Hallinan

Today marks the release of Nighttownthe latest book from Timothy Hallinan. He was nice enough to answer our questions about the new book and his other work.

Nighttown (A Junior Bender Mystery #7) Cover ImageMysteryPeople Scott: This is a unique plot even by Junior Bender standard. How did it come about?  

Timothy Hallinan: It arrived in three pieces and (since I’m not a writer who plans a lot) they were put together on the fly. First, a reviewer for a publishing trade said about the last Junior book, Fields Where They Lay, that, as far as Christmas mysteries were concerned, “it was one of the very best since The Adventure of the Blue Carbuncle.” I hadn’t read that Sherlock Holmes story, but when I did I found myself liking the idea of the huge, stolen precious stone. Second, I’d been thinking a lot about the bum rap darkness usually gets – ever since the King James Bible (at least), it’s been equated with evil and misery. I mean, talk about stacking the deck: God’s first line is “Let there be light.”

Junior is a burglar, and he likes darkness; he sort of thinks of it as his personal ZIP code. I decided I wanted to put him someplace that was too dark even for him. Out of that came the second piece, Horton House, an empty, condemned mansion that practically vibrates with malice. Third, it came to me that the man who built the house had been a Spiritualist, a member of the quasi-religion that swept the world in the years of global mourning after tens of millions of people died in the twin calamities of World War One and the Spanish Flu, and I remembered that the world’s best-known advocate for Spiritualism was Arthur Conan Doyle. I thought it was interesting that Doyle–the creator of fiction’s most remorselessly logical detective–was the voice of Spiritualism and that his opposite number, speaking out against it, was the magician Harry Houdini. (I would have expected it to be the other way around.) Those three things, the stone, the old dark house, and the Spiritualism-Doyle connection, became the basis of the story, although the way they were woven together seems a lot more logical now that I’ve finished the book than it did when I was writing it.

MPS: You’ve looked at the different sides of Los Angeles in the series. what side of it did you want to explore in this book?

TH: Of all the world’s great cities, Los Angeles has the briefest past, and it’s relentlessly paved over most of the past it does have. Many of its most beautiful buildings have been bulldozed to make way for Walmarts and shopping malls. I’ve always found it interesting that it’s such a present-tense town, so I  thought it would be fun to set much of the action in a little bit of the past that’s due for demolition. I also wanted some of the story’s characters to be people whose personal pasts were being forgotten or erased: a once-powerful movie producer; an actress from a forgotten sitcom; a woman whose only inheritance was being withheld by someone who hated her. All crime novels, I think, look into the past to some degree, even if it’s only the recent past in which the crime was committed, but I wanted to play around with deeper past, especially since L.A. has so little of it.

MPS: One of the things I love about the Junior Bender series are his partners in crime. Is there one in particular that you enjoy writing for?

TH: The one for whom I feel the most affection is probably Louie the Lost, the getaway driver with no sense of direction who had to change careers after the word got out that he couldn’t tell the difference between north and up. I could write Louie all month long and spend most of the time laughing. There are also a couple of female hitters I like, including one who always unscrews her silencer when she finishes a job because it snags on the lining of her purse. And there’s a new character in Nighttown, an absolutely lethal woman named Itsy Winkle, who lives in a house full of stuffed cats and who just stole every scene she was in.

MPS: There is a great tip of the hat to The Adventures Of Sherlock Holmes. What do you admire about those stories?

TH: This is probably going to cost me lots and lots of readers, but at the time I decided to write Nighttown I had never read a word of Doyle, and now that I’m done writing it, I’ve read only one story, “The Adventure of the Blue Carbuncle.” I know Holmes and Watson mostly through film and television, and I have to say that the one I like best is probably Benedict Cumberbatch. I admire the story I read, but I can’t honestly claim that it beckons me back to read more. On the other hand, I love some of the Holmes-inspired detective twosomes, most notably Nero Wolfe and Archie Goodman.

MPS: As a writer, what makes Junior Bender a character worth coming back to?

TH: It’s largely the way Junior, who is at heart an average middle-class guy, interacts with the darkness of the world he’s chosen. There have been a couple of attempts to turn the books into a TV series, and what went wrong was that they focused on the jokes and downplayed the menace. One doesn’t work without the other. I think what makes these books funny (if they are) is that there’s actually quite a bit of life-or-death interaction going on in the foreground, and it’s not just slapstick: people can really get killed. Even less bang-bang scenes, like the one with Laney Profitt, the former TV star, and Jake Whelan, once the most powerful producer in Hollywood, now both lost (at least temporarily) to dope, work because that little tragedy is seen through Junior’s eyes as he tries in self defense to keep it, emotionally, at arm’s length. It’s not funny (I think) unless it’s serious, and often it’s most serious because it’s funny. Junior copes with the world he’s chosen, in part, by distancing himself from it, by seeing its funny side. That alone makes him interesting to write.

 

PICK OF THE MONTH- THE SHADOWS WE HIDE BY ALLEN ESKENS

Thanks to MysteryPeople contributor Meike for writing a review of the November Pick of the Month The Shadows We Hide.

The Shadows We Hide Cover ImageAP cub reporter Joe Talbert stumbles across a story that piques his curiosity—a man also named Joe Talbert has been murdered in the small town of Buckley, Minnesota. Believing that the murdered man might be the father he never knew, Joe heads to Buckley to learn what he can about his possible namesake. Having no memory of his father, he’s not sure what to expect; what he doesn’t expect is to learn that his father was a hateful man who threatened his daughter, swindled a neighbor, and squandered his late wife’s inheritance. Any number of people in Buckley had a reason to want “Toke” Talbert dead.

At the same time, Joe’s estranged mother attempts to reconnect—a recovering alcoholic who neglected both Joe and Jeremy, Joe’s autistic brother, she is trying to make amends with her son. But he wants nothing to do with the woman who preferred booze and men over her sons. Forced to confront painful memories from his childhood, Joe has to try to put the pieces of his past together—and comes close to losing his future.

Eskens’ fans will remember Joe from the Edgar-nominated author’s debut, The Life We Bury. A college student at the time, Joe helped put a serial killer behind bars. Now Joe has graduated and is living with his girlfriend Lila who helps him care for Jeremy. The Shadows We Hide is a character-driven novel, carefully plotted and slowly unfolding to a gripping and completely unexpected conclusion.

Interview with Martin Limón

BookPeople made The Line, Martin Limón’s latest mystery with Ernie Bascome and George Sueno, two U.S. Army cops stationed in early seventies Korea, our October Pick Of The Month.  It starts with the two called to a murder scene on the demarcation bridge between North and South Korea that leads into a mystery involving the South Koreans that work for the U.S. Army. While trying to find the real killer when an innocent G.I. is locked up, they also have to locate the missing wife an officer. Martin was kind enough to give us some in-depth answers to some questions about the book, the series, and the state of both Koreas. Martin Limón joins us Friday, November 2 at 7pm to talk about the book with author A.R. Ashworth and Scott Montgomery.

The Line (A Sergeants Sueño and Bascom Novel #13) Cover ImageMysteryPeople Scott: The Line has one of the best openings of the year.  How did it come about?

Martin Limón: I’ve been to the Joint Security Area (JSA) a few times, starting in 1968.  It’s always been an intense place and there have been more than a few skirmishes over the years.  One of them, the August, 1976 axe murder incident, resulted in two U.S. soldiers being hacked to death by North Korean guards.  Ironically, the JSA is also called “the truce village of Panmunjom.”

At some point it occurred to me that this would be a good place to set a murder.  Of course, I knew who would be going up there to examine the crime scene, George Sueño and Ernie Bascom.  Then all I had to do was decide who would be murdered, what time of day they would be going up there, etc.  Once I had all that I decided to place the corpse right on the most contested spot in the world—the Military Demarcation Line—and imagined what would happen.  Not difficult. There would be an armed standoff; the North Koreans on one side, the U.S. on the other. Sort of a difficult setting for detectives to exam a crime scene but, undaunted, our boys take up the challenge.

MPS: You have George and Ernie work both a murder and a missing person case.  How did you deal with the challenge of two mysteries?

ML: I like plots and subplots, both as a reader and when I’m writing my own stories.  The challenge is to get them to blend together in some way that’s (hopefully) believable and, more importantly, for their essences to somehow complement one another.  In this case I had the Korean Noh family, who had suffered the grievous loss of their son, in the main plot and the American Cresthill family, experiencing the anguish of marital breakup, in the other.  I hope the two stories worked well together. I was actually contemplating a third subplot; that of the Korean-American lawyer, Corrine Fitch, searching for her birth mother. But it was too much for my meager intellect to work out.  Instead, it remained implied but not fleshed out.

MPS: I felt this book looks at women in both Korean and Army society.  What did you want to explore with the female characters?

ML: Military spouses and other family members often feel isolated.  Sometimes physically, as at Fort Irwin in California’s Mojave Desert where the nearest town is forty miles away.  Or at 8th Army headquarters in Seoul. Even though the 8th Army Yongsan Compound sat in the heart of a city of over 10 million souls, that city was South Korea’s capital and a teeming Asian metropolis if there ever was one.  Some of the Americans on base felt as if they were floating on a small raft atop a churning sea. And the military expects those family members (which they call dependents), and especially the wives, to follow a precise and lengthy list of unwritten rules.  Don’t ever dare embarrass your husband, number one. Accompany him to the many and varied command social events where you must smile, smile, smile. Volunteer your time to charities specified by the spouse of the commanding general. Some women rebel, by turning inward.  Others act out. I’ve seen it and it is sometimes not pretty, but always very human.

With Corrine Fitch I had the ambition (probably not realized) of depicting the ambivalence of someone returning to the country of their birth but being fundamentally a stranger.  What must that be like? What questions must arise? I didn’t take that part of the story as far as it needed to go but it still intrigues me.

MPS: How would you describe George and Ernie’s relationship with the Army?

ML: Love/Hate.

What George loves about the army is that it gives him a sense of purpose.  A job with a very specific aim: to solve crime and rescue the innocent.

What Ernie loves about the army is that it encourages him to replace heroin addiction with the perfectly acceptable alternative of alcoholism.  As a bonus, the pomposity of the army brass gives him a world of blowhards to rebel against.

What George hates about the army is their overwhelming bureaucratic desire to cover up any and all bad news.  Especially crime.

What Ernie hates about the army is they make him wear a hat, which he believes is a plot to cut him off from the universe.

MPS: Your latest books have been some of your best.  What has experience lent to your work?

ML: When I started writing, over 30 years ago, I realized immediately that this was a craft or sullen art (to quote Dylan Thomas) in which I would always keep learning—and never master.  I do think my books and short stories are a little better now, mainly because of the help of editors and agents and critics and even the occasional reader. Reader complaints, of which I’ve had some which were extremely bitter, feel like a hot needle shoved into a raw nerve.  However, I crave them. First, it proves that the person read and cared about my work. Second, it gives me a chance to evaluate the criticism and decide whether or not it is valid. Usually, it is. And once that needle sinks into tender flesh, I can never forget it. And the next time, when a similar case arises, I’m prepared to do better.

MPS: North and South Korea have been in the news even more.  What should people in the U.S. know about the culture?

ML: Someone asked me if I wrote The Line because the North Korean crisis is so much in the news lately.  The fact of the matter is that I conceived and wrote the first draft long before Donald Trump ever made his fire and fury or little rocket man comments.  In fact, back then when I started no one imagined he’d ever become president.

Since 1953 the Korean DMZ has always been in crisis.  In January 1968 a North Korean commando unit unsuccessfully attacked the Blue House, the South Korean version of our White House.  In the same month, the North Korean navy committed an act of war by boarding and commandeering the USS Pueblo on the high seas. They held the American crew in a brutal captivity for almost a year.  In April 1969, North Korea shot down an EC-121 US Navy reconnaissance plane, immediately killing 31 sailors. And there have been plenty of violations since then. South Korean military deaths, at least back in those days, were common and many of them went unreported in the international press.  The US Army averaged about one American death at North Korean hands per year.

Now these friendly fellows have the bomb.  I, for one, don’t believe they’ll ever give it up. No matter how many bows and handshakes our president provides.

Culturally, on both sides of the border, the desire for Korean reunification is great, and it’s the official policy of both governments.  From what I’ve read, Kim Jong-un’s goal in life is to reunify the peninsula under his regime. To him, mutual nuclear disarmament means that the US would withdraw our troops from South Korea and remove the South Koreans from the protection of our nuclear umbrella.  Once that happened, I believe, he’d feel free to start bullying the South Koreans and use political and military pressure to gain his aims. He knows that if he did manage to reunify Korea, even under such a brutal totalitarian state as the one he now runs, his place in Korean history as a great hero would be assured.