FALLING IN LOVE WITH YOUR MYSTERIES: AN INTERVIEW WITH MEGAN ABBOTT

When it comes to portraying the darkest desires of the human heart and the actions they trigger, Megan Abbott writes about them with grace and elegance that creates eerie noir able to completely connect with the reader. Her latest, Give Me Your Hand, uses the backdrop of the science field to look at the danger of ambition and secrets with two researchers reunited in competition for a research project under an esteemed scientist and a shared confidence severed their bond in high school. Megan will be joining Ace Atkins whose new book is The Sinners for an event here Tuesday, July 24th at 7pm.

Image result for megan abbottMysteryPeople Scott: On first glance, the world of science and the lab seem like an atypical setting for noir. What did it allow you to do with the genre?

Megan Abbott: I guess I’ve always thought of labs as spooky places, full of atmosphere. Slick surfaces, dark corners and the body and mortality. Blood. And once I started to read about the hothouse environment in competitive labs, I knew it was perfect.  

MPS: What was your biggest take away in researching that world?

MA: The stakes are very high there. I became fascinated about stories of “labotage”—researchers sabotaging one another’s work, mixing up slides, dumping results. And it’s also a world where women are still very much in the minority, making it very complicated for women working in that world…which is what we see with Kit and Diane.

MPS: How did premenstrual dysphoric disorder become the research subject?

MA: Given the lack of funding for research into women’s health issues, I knew I wanted them to be studying a “female” condition. And I began reading about PMDD (AKA extreme PMS)—how calamitous it can be for women who suffer from it, how it can rule their lives. The extreme mood swings, the anger, the despair. I’m always drawn to stories that enable you to explore the way women’s bodies are seen as disruptive, dangerous.

MPS: Diane is one of those noir characters you often use who is part a full-fledged person and part the gaze of the protagonist. Do you have to keep anything in mind when dealing with that kind of character?

MA: What a great question. I think, with those characters, they’re mysteries to me during the first stages of writing the book. And then I slowly uncover their secrets—as I did Diane. And then ultimately, I grow to love them—as I did Diane. And that love is the only way the book works, if it does. I have to fall in love with my mysteries.

MPS: How did you get the name Diane Fleming, since it fits both who she is and what people picture her to be perfectly?

Give Me Your Hand Cover ImageMA: Boy, names are so hard. I usually keep changing the name over and over until one finally sticks, feels right. And I admit, this one just came to me. I hadn’t even thought of its larger resonances, but you’re right!

MPS: I couldn’t help but think Severin’s lab with a pool of smart talented people working on a project by an esteemed professional in the field sounded to me what the writers’ room of “The Deuce” might be like. Did you pull anything from your own experience for Give Me Your Hand?

MA: Haha! I don’t think so. But it was a very male environment for Lisa (Lutz) and me, so maybe there’s something to it!

MPS: You’ll being doing an event with us on July 24th with Ace Atkins, a writer who you are a big fan of. What do you admire about him?

MA: His ability to pound bourbon and talk Burt Reynolds movies until all hours of the night? His good looks and charm? Yes, yes, and yes. But most of all, it’s his books. I’ve read them all, I love them all, and The Sinners is Ace at his best. No one paints a world more vividly than Ace. No one has a richer palette of characters. He’s the best.

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