MysteryPeople Q&A with Steve Hamilton

  • Post by Crime Fiction Coordinator Scott Montgomery

Last year, prolific and internationally-renowned crime writer Steve Hamilton blew us away with The Second Life Of Nick Mason, about a criminal who gets an early release from prison as long as he does the bidding of Darius Cole, a kingpin who rules his empire from a cell. In the second in the series, Exit Strategy, Nick plots an escape from Darius as he has to carry out his latest chore, kill several witness in Witness Protection all across the country, that are testifying against Darius for his retrial, one his lethal former gunman.

Steve will be doing a live stock signing for us, Tuesday, May 23rd, starting at noon, so come on by to get your books signed and say hello to one of the best in the genre. We caught up with him ahead of time to talk about Exit Strategy and and writing criminals.

MysteryPeople Scott: When writing The Second Life of Nick Mason, did you know you that Nick and Darius had at least another story in them?

SH: Absolutely! In fact, I had the first seven books in this series all laid out in detail, before I ever started.

MPS: How do you think Nick has changed since the first book?

SH: In the first book, Nick Mason was released from prison to become a killing machine. It was something Darius Cole saw in him, something that Nick didn’t even know he had inside him. But now in this second book – as the assignments get more and more brutal – Nick can see it happening. He is becoming this machine and he can’t even help it. That’s what drives him to find his “exit strategy,” before he loses his humanity forever.

MPS: Your books usually stay in one city or town for most of your books. Did going across the country affect your writing in any way?

SH: Where you come from is a big part of you are. For Alex McKnight, it was Detroit. For Nick Mason, it just felt to me like he had to have come from the South Side of Chicago. And in the past few years, I’ve gotten to know and love that amazing city so well. That’s one of the best parts of being a writer.

MPS: What does having a protagonist like Nick allow you to do that you couldn’t with Alex McKnight?

SH: Clearly, Nick Mason lives on the other side of the law, which is the first obvious difference. From the very first page of book one, you have to acknowledge that he’s a career criminal – even if he’s lived by a strict personal code, and even if he takes the deal to get out of prison just so he can see his family again. And now he’s made this choice to do whatever he’s told in his new life – something that Alex wouldn’t be able to do, no matter the stakes. But one of the most overwhelming things about writing this series is how much readers have responded to him, and how much they’re actually rooting for him in these books.

MPS: Darius is one of the best antagonists in recent crime fiction. He is as smart as he is unscrupulous and even has a complex set of justice. What is it like writing for him?

SH: An antagonist like Darius Cole has to be a complex, fully realized character, with his own reasons for doing what he does – reasons that make perfect sense in his own world. Hemingway said the writer’s job is to understand, not judge. I just try to make him as real as possible, and let the reader do the judging.

MPS: There are at least four major characters plotting their fate against each other like chess players. How much pre-planning went into Exit Strategy?

SH: I knew from the beginning where each character would be in the end. The challenge was to make those threads all come together in a way that was both surprising and satisfying at the same time. But that was really the main theme of this book – each character had his or her own “exit strategy,” trying to escape from his or her own personal prison.

Steve Hamilton comes to BookPeople for a public stock signing Tuesday, May 23rd, at 12 PM. You can find copies of Exit Strategy on our shelves and via 

MysteryPeople Q&A with Megan Miranda

Megan Miranda, best-selling author of All The Missing Girls, comes to BookPeople to speak and sign her latest tale of psychological suspense, The Perfect Stranger, on Thursday, April 20th, at 7 PM. Before her visit, we asked her a few questions about the book and her upcoming projects. 

  • Interview by Director of Suspense Molly Odintz

Molly Odintz: The Perfect Stranger, to wildly summarize, is a murder mystery about friendship and identity. What did you want to convey about the (sometimes loving, sometimes competitive) nature of female friendship? 

Megan Miranda: Well, I think every female friendship has their own nuances, but in this case, I wanted to explore the type of friendship that stems from a pivotal moment in someone’s life—and then becomes idealized, in a way, in their mind. I also wanted to explore how friendships can sometimes act as a mirror, where we only see who we are reflected in someone else’s impression of us. And that the flipside can be true as well: sometimes we see what we want to see in another, believing they are who we want or need them to be.

MO: I really enjoyed the casual treatment of male characters by female characters in the novel – I would love to see more depictions of the intense, late-night bonding between women following disappointing one-night-stands. The women in this book, whether friends or relatives, seem to have far more concern for the women in their lives than the men. Even though there are male characters that play important roles in the plot, they are ancillary to the women’s stories that make up the bulk of the novel. Did you set out to focus on a world of women, more encumbered than aided by men? What did you want to say about gendered community? 

MM: I did set out to focus this story around women, mostly because of Leah’s character. The people of importance in Leah’s life at that moment are, largely, a cast of women: Emmy, her sister, her mother, the colleague she most connects with. Meanwhile, men have been more transient throughout her life. Even her father has left and started a new life. So I think she’s biased to build her trust around women. These are the people in her life who can see below the surface of each other—or at least they think they do—because of their shared experiences. I think it’s these shared experiences (not necessarily reflecting gender) that ultimately create tight connections between the characters.

“…there are different ways to know someone, just as there are different ways to tell a story in order to get at the truth. I think it’s definitely possible to know someone without knowing their past, but as Leah realizes, the less you know, the more you may be complicit in creating a version of someone you think you know.”

MO: The Perfect Stranger goes to the heart of how well we can possibly know another. We can know someone’s scent, dreams, habits – all while knowing nothing of their life story. Is to know someone to know their physical presence, their minds, or their past? 

MM: Yes, I think that’s exactly the question, and…I’m still thinking about it! When I started writing this book, this was something very heavily on my mind. I think of a theme sort of like a question to explore—not necessarily that there’s an answer, but that there’s something worth digging deeper into. Which is what Leah has to do in this story. I’d say there are different ways to know someone, just as there are different ways to tell a story in order to get at the truth. I think it’s definitely possible to know someone without knowing their past, but as Leah realizes, the less you know, the more you may be complicit in creating a version of someone you think you know.

MO: The Perfect Stranger is full of manipulative masterminds. Without giving anything away, what did you want to explore about gaslighting? 

MM: There were a few different elements on my mind here. One was to wonder if someone could become so focused on their own goals that they were blinded to what they were doing, and who they were becoming. And then on the other side, I was interested in how difficult it could be not only to recognize that this was happening to you, but also to let yourself believe it. And then, even more so—to prove it.

MO: Like quite a few writers in the mystery section, you’ve plenty of experience with other genres – how did it feel to transition from writing YA to writing crime fiction? 

MM: Honestly, the shift from YA to crime fiction felt like a natural progression, especially because my YA books were in a similar genre. My YA stories center on these big events that happen when the characters are 16 or 17 years old, and a lot of the writing process for those books involved me looking back at that time of my life in hindsight. When I wrote All the Missing Girls, the narrator was doing much the same: peering back at this big event that happened when she was 18, trying to see it with more clarity, in hindsight. It felt like taking a journey together.

“What are the moments that turn what we think we know on its head? It’s rarely one big twist, but lots of little shifts that reposition the pieces, so what you thought you were working toward at the start may not be the end picture at all.”

MO: Both All The Missing Girls and The Perfect Stranger have received praise for their fiendish plotting. What is your advice to mystery writers for how to really blow the minds of their readers? 

MM: For me, plotting is something that develops as I get to know the characters. It’s actually the element I tend to approach last, because the story has to feel authentic for the people and place and backstory first. I usually start with character, a theme, a setting, and start writing. For the mystery itself, I think of the beginning sections as discovering the puzzle pieces. And then the goal is to create the overall puzzle. I do try to think of the major turning points. What are the moments that turn what we think we know on its head? It’s rarely one big twist, but lots of little shifts that reposition the pieces, so what you thought you were working toward at the start may not be the end picture at all.

MO: The characters in The Perfect Stranger have porous, unstable identities, sometimes bleeding into each other, feeding off each other, or transforming those surrounding. The title itself connotes a complete unknown – a perfect stranger – or the exact right kind of stranger, perfect for a purpose. What did you want to say about identity? Can we claim a solid foundation to our knowledge and opinions, or are we more defined by those who think they know us best?

MM: I love this question because this is something I was also thinking about a lot when I started, and also something I thought about in All the Missing Girls as well: How maybe we can be defined more by how others see us than by how we see ourselves. On that same note, I think we can also become different people for different friends, and our identity can shift from relationship to relationship.

I wonder sometimes how much of our identity arises from just ourselves, in a vacuum. Can we be the “perfect” stranger for someone else? Or, are we in fact “a perfect stranger,” always. A chameleon of sorts. Honestly, even after writing this book, I’m still not sure.

MO: What is your next project? Will you continue with the crime genre? (I certainly hope so!)

MM: Yes, I’m working on my next psychological suspense! I can’t say too much about it yet, as it’s still a work in progress. But it has two points of view on the events leading up to and surrounding a crime—with two different suspects. I’m really enjoying writing it!

You can find copies of The Perfect Stranger on our shelves and via Megan Miranda joins us Thursday, April 20th, at 7 PM, to speak and sign her latest.

MysteryPeople Review: MISSISSIPPI BLOOD by Greg Iles

Greg Iles comes to BookPeople to speak and sign Mississippi Bloodthe concluding volume to his epic Natchez Trilogy, tomorrow, Tuesday, April 18th at 7 PM. Our reviewer Meike Alana has followed the series since its inception, and below you’ll find her take on Iles’ latest. 

  • Review by MysteryPeople Contributor Meike Alana

9780062311153It’s finally here—the riveting conclusion to Greg Iles’ Natchez trilogy featuring Penn Cage!  (For a quick refresher on the series, please see the overview prepared by BookPeople’s fantastic blogger Molly Odintz, aka “Mystery Molly”).

In Natchez Burning, revered town physician Dr. Tom Cage is arrested and accused of murdering his former nurse Viola Turner.  Her son believes it was a racially motivated killing, but circumstances indicate it may have been an assisted suicide.  A young reporter uncovers some new leads which suggest links between Viola and the Double Eagles, widely feared and regarded as the most hateful racist group in the state.  Iles unfolds details of the story slowly throughout the first novel and its follow-up, The Bone Tree. 

In Mississippi Blood, Dr. Cage’s trial has begun.  His son Penn continues to search for clues that could clear his father’s name, yet Tom somehow seems determined to end up in prison—even going as far as to remove his son from his counsel team.  As testimony reveals increasingly disturbing details about the past and the relationship between Tom and Viola, long-held secrets become known that threaten the safety of the Cage family as well as the Double Eagles—and the latter won’t hesitate to continue killing to keep the past hidden.

As the trial unfolds, each character relates his or her version of events.  The stories are the same, but the interpretations vary based on each individual’s unique background and experience.  What is the truth, after all, but our own perception of reality?  Rarely has a courtroom drama been as complex and riveting as Iles’ examination of Tom’s actions and culpability in the suffering and death of his former nurse.  As the novel reveals what really happened the night Viola Turner died, the reader is challenged to view issues of guilt and conscience in new and unsettling ways.

Come by the store Tuesday, April 18th, at 7 PM, to hear Greg Iles speak and sign the stunning conclusion to his Natchez trilogy. You can find copies of Mississippi Blood on our shelves and via


A Brief Foray into an Epic Story: MysteryPeople’s Introductory Guide to Greg Iles’ Natchez Trilogy

  • Post by Director of Suspense Molly Odintz

Greg Iles comes to BookPeople to speak and sign Mississippi Blood the stunning conclusion of his Natchez Trilogy featuring long-time character Penn Cage, this upcoming Tuesday, April 18th, at 7 PM. When I first found out we had booked him, I pumped my fist in the air. This guy is a big deal for crime fiction, and for Southern literature as a whole. Before his visit, we thought we’d make a quixotic attempt to summarize the enormous amount of content contained within each massive volume of the trilogy (without giving away any spoilers, of course.)

Iles has been known as a crime writer for some time, yet his Natchez Trilogy has elevated him to the status of a modern-day Faulkner. The three volumes together – Natchez BurningThe Bone Treeand Mississippi Burning – tell a sordid tale of small-town secrets, Southern racism, and the difficult task of achieving justice for the lost and vengeance against the powerful and guilty. Much of his work has featured Penn Cage and his family as they fight against the entrenched racism and dark secrets of their town of Natchez, and the trilogy continues the family’s epic story.

His website’s content emphasizes his position as both the conscience and the tourism bureau of a beautiful and problematic region – you can click to visit Natchez and stay in Iles’ historic building of an office, or scroll down further to read a petition by Mississippi’s most prominent citizens to remove the Confederate symbol from the Mississippi state flag. I recognized a number of crime writers on the list, but it shouldn’t surprise me that a state known for such violence in its past could be a center of writers reckoning with that violence in the present.

Some parts of his trilogy read like the best courtroom dramas, with the action of John Grisham and the powerful language of Harper Lee. Iles tells his tales from multiple perspectives and from multiple time periods, emphasizing the lingering presence of powerful 1960s antagonists into the 90s to shrink our perception of the length of history and to make more immediate the connection between the pre-civil-rights South and its modern-day, theoretically less discriminatory incarnation. As Faulkner once wrote, “the past isn’t dead – it’s not even past,” a phrase that especially rings true in the state of Mississippi, where those responsible for the pain of history faced consequences for their actions years, if not decades, after their initial crimes (if they faced consequences at all).*

Natchez Burning shifts back and forth between the 1960s and the 1990s. The sixties scenes place the brutality of the KKK and similar organizations on full display, while the nineties scenes more subtly address the lingering effects of violence too long ignored and unpunished. In the nineties, Penn Cage, mayor of Natchez, works to clear his father, Dr. Tom Cage, of murder charges after his father is accused of aiding his former nurse and lover, Viola, with her assisted suicide in suspicious circumstances. Viola’s son believes Penn’s father to have committed a racist murder, while flashbacks tell a more complex story of Viola and Dr. Cage’s relationship. Meanwhile, an inquisitive journalist gets some new leads and hopes he’ll finally be able to link the unsolved murders of a series of young black men in the sixties to the Double Eagles, the local racist group responsible for the killings.

The Bone Tree takes up where Natchez Burning left off, as Penn Cage continues to try to clear his father while edging closer to discovering his family’s secrets. The Bone Tree also expands on the vast conspiracy of the previous volume for an entirely fresh take on the JFK assassination. Mississippi Blood violently resolves the loose threads of the previous two novels while going ever deeper into the town’s secrets – including the family ties across racial boundaries that the aging Double Eagles (and many of the townspeople) will do virtually anything to keep from the public light.

Come by the store Tuesday, April 18th, at 7 PM, to hear Greg Iles speak and sign the stunning conclusion to his Natchez trilogy. You can find copies of Mississippi Blood on our shelves and via

*A Washington Post review of The Bone Tree also uses this quote to describe Iles’ work, but I read that review after I dropped in the quote, so I’m keeping it.

MysteryPeople Review: PRUSSIAN BLUE by Philip Kerr

9780399177057Philip Kerr comes to BookPeople to speak and sign his latest Bernie Gunther novel, Prussian Blue, on Saturday, April 8th at 6 PM. You can find copies of Prussian Blue on our shelves and via

Philip Kerr has always excelled at highlighting the small crimes within the large crime, usually through his character Bernie Gunther’s quixotic attempts to help bring justice to individuals under the governance of the Third Reich. Despite acting under the orders of a high-ranking Nazi, Gunther gets called in to work when the Nazi leadership is in need of a professional detective to solve a crime, rather than assigning blame to a convenient scapegoat. Gunther, in each of Kerr’s works, gets his kicks and preserves his own safety by pitting Nazis against one another or in later settings, playing every side of the Cold War.

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MysteryPeople Q&A with Tim Dorsey

  • Interview by MysteryPeople Blogger Meike Alana

Tim Dorsey, known for his mischievous characters and their bizarre adventures, comes to BookPeople to speak and sign his latest novel of Floridian high-jinks, Clownfish Blues, on Sunday, March 5th, at 5 PM. Our Meike Alana interviewed Tim via email to give us all some insight into the weird, wonderful world of Dorsey’s novels.

Meike Alana: Your books include a lot of Florida history, but not the textbook kind–you are a master at revealing the weird and wacky side of the state.  How do you manage to unearth so much fascinating material?

Tim Dorsey: It’s simply a matter of wearing out a lot of tire rubber. I get a map and look for all of the most remote roads. It’s a labor of love driving and poking around at these places.

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MysteryPeople Review: CLOWNFISH BLUES by Tim Dorsey

  • Review by MysteryPeople Contributor Meike Alana

Tim Dorsey, known for his mischievous characters and their bizarre adventures, comes to BookPeople to speak and sign his latest novel of Floridian high-jinks, Clownfish Blues, on Sunday, March 5th, at 5 PM

9780062429223Florida author Tim Dorsey has gained a zealous following for his hilarious series featuring Serge A. Storms and his perpetually baked sidekick Coleman. In Clownfish Blues, the pair’s 20th outing, the duo hit the road in a vintage silver Corvette to shoot their own episodes of Serge’s favorite classic TV series “Route 66”. (Route 66 doesn’t pass through Florida, you say? Doesn’t matter, as it seems that about a dozen episodes near the end of the series were actually filmed in Florida—a fact that only Florida history buff Serge would be sure to know.)

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