Last year, I posted a list of my top international crime novels, and a list of my top novels of the year, foreign and domestic. This year, as part of my life-long attempt to destroy all hierarchies and question all assumptions, I have decided to include my top international crime fiction as one list, and my top domestic crime picks as another.
Below, you’ll find an eclectic group of novels, united only by the scattered and distant nature of their geography. Next week, I’ll be posting my list of top picks for US-based fiction – more concentrated geographically, but just as diverse in subject matter
1. Innocence, or, Murder on Steep Street by Heda Margolius-Kovály, Translated by Alex Zucker
Explore the world of 1950s Prague, where the men are either Russian occupiers or in the gulag, and the women who try hardest to do the right thing are the ones most morally compromised by the Soviet system. This darkly atmospheric novel was written by a woman who had worked to translate Raymond Chandler into Czech, and functions as a perfect Soviet noir. Available in English for the first time!Read More »
Stuart Neville joins Jesse Sublett, Mike McCrary, and Gabino Iglesias for our upcoming Noir at the Bar. Come by the Penn Field Opal Divine’s this October 6th at 7 PM for books, booze, and readings from each author, plus some murder ballads from writer-musician Jesse Sublett. Those We Left Behind, Stuart’s latest novel, is our October Pick of the Month here at MysteryPeople.
Stuart Neville is one of the major voices in Northern Ireland’s new wave of crime fiction, dubbed “Ulster Noir” by the Guardian. The whole of Ireland has become a power-house in crime writing over the past few decades, producing some of the best in international crime fiction from such voices as Ken Bruen, Lee Child, Tana French, and Adrian McKinty, and earning a reputation for Scandinavian-style dark, atmospheric tales. Neville’s latest novel, Those We Left Behind, is our October MysteryPeople Pick of the Month. Neville joins us for our bi-monthly celebration of books and booze, Noir at the Bar, this upcoming October 6th.
Stuart Neville’s many novels have run the gamut in subject matter. The Ghosts Of Belfast and Collusion are steeped in the legacy of sectarian violence and use mystery conventions as an approach to truth and reconciliation. Ratlines explores the lingering effects of Ireland’s semi-neutrality during WWII, while The Final Silence uses a mystery trope – a serial killer in the family – to explore how sectarianism opened the way for casual violence and perpetuated a culture of secrets. The Northern Ireland of The Final Silence, more-so than his previous novels, is one influenced by the past, but as much concerned about contemporary, general European issues as with problems specific to Northern Ireland.
Read More »
1. Innocence, or Murder on Steep Street by Heda Margolius-Kovaly
lost her family to the Holocaust, her first husband to Soviet purges, and the right to visit her native land to her defection to the United States. She also translated Raymond Chandler’s work into Czech, and his style, combined with her experiences, are the inspiration for Innocence
, a bleak and hard-boiled noir about a woman who engages in increasingly desperate acts to secure her husband’s release from political imprisonment. You can find copies of Innocence, or Murder on Steep Street on our shelves and via bookpeople.com.
The Meursault Investigation
may not be shelved in the mystery section, but if The Stranger
is considered “Mediterranean noir,” then I dub this post-modern redo of The Stranger,
told from the perspective of the Arab victim’s family, “De-Colonial Noir.” The Meursault Investigation reads like Said’s Orientalism
as a mystery novel, which to me is the best thing in the universe. Spoiler alert: Meursault did it. You can find copies of The Meursault Investigation on our shelves and via bookpeople.com.
Read More »