- Interview by Crime Fiction Coordinator Scott Montgomery
In The Devil’s Muse, Bill Loehfelm puts his New Orleans patrol woman Maureen Coughlin into a mystery that takes place over one long night when a shooter cuts loose during the Mardi Gras parade. A great take on the procedural, The Devil’s Muse has a strong sense of immediacy and presents an insider’s look at New Orleans.
Bill will be returning to BookPeople for our New Voices In Noir Panel, this upcoming Wednesday, July 26th, at 7 PM, but we were able to get some questions to Bill before the event. He’ll be joined by Rob Hart and Jordan Harper for the panel discussion.
MysteryPeople Scott: I know you said you were wary about doing a story set around Mardi Gras since it’s a cliched backdrop for authors to use when writing about new Orleans. What did you see as the in to making the story fresh?
Bill Loehfelm: A couple of years ago, a friend and I were discussing writing about New Orleans, talking about avoiding clichés and the postcard version of New Orleans that we’re constantly selling. I told him I had a list of rules, of things I’d never write about, and one of them was Mardi Gras. But instead of agreeing with me, he challenged me, pointed out I had a lot of experience as a waiter and a bartender, a lot of inside experience with Mardi Gras that others didn’t have. That comment put the idea in my head of a Mardi Gras story told from the inside out, a story from the point of view of someone inside the infrastructure of the holiday. It gave me a fresh take on the subject.
When the opportunity for a Maureen Coughlin one-off came, it seemed to perfect time to take up that challenge.