A Serpent’s Tooth is possibly the oddest book in Craig Johnson’s Walt Longmire series. While it has all the elements of humor, action, and strong characterizations, the tone does a a major, though seamless, shift to extremes. In a lesser authors hands this book would fall apart, but in Johnson’s it may be a landmark book in the series.
Donnybrook by Frank Bill
Frank Bill announced his presence in 2011 with Crimes In Southern Indiana, a collection of connected short stories that take place in a meth ravaged Midwest town. His terse prose, blood soaked violence, and colorful characters who live on the fringes were a literary punch to the gut. With his first novel, Donnybrook, he proves there’s no slowing down.
Much like Crimes In Southern Indiana, Donnybrook connects the lives of several characters. However, these characters all have a single destination, Donnybrook, a three-day bare-knuckle boxing competition held by a Midwest gangster; where the last man standing wins $20,000. The book starts with one fighter, Jar Head, robbing his local gun store for the thousand-dollar entry fee. Ned Newton is paying for his by stealing a batch from a crank cooker, Chainsaw Angus, with the help of Angus’s sister Liz. Now Ned has to contend with Chainsaw as well as lawman Ross Whalon and Fu Xi, a debt collector with some martial arts skills and few scruples, who are already after him. These and a few more red neck ne’er do wells travel a strange, rollicking, funny, often violent road to get to the fight and when they get there, Bill ups it in a great convergence of a conclusion.
Everything great about Crimes In Southern Indiana goes double for Donnybrook. The dialogue pops and the characters are defined through extreme yet believable actions. Bill gives Elmore Leonard a run for his money when it comes to criminals who aren’t the sharpest knives in the drawer. He’s also gotten to be someone who writes one hell of an action sequence. The violence has a visceral feel and each fight is written in detail; each is specific to the two characters that are fighting, the situation and emotion. When talking with hard-boiled writer, Christa Faust about the book, she said, “Frank writes fist fights like John Woo directs gun fights.”
Donnybrook proves Frank Bill is one of the great emerging talents out there. Like Joe R Lansdale, he captures the voice of his region, turning it into a literary voice of his own and he delivers a rush that’s often more associated to cinema than to books. I’m already waiting for his next one.