The list below is the tip of the cold, murderous iceberg when it comes to works by women crime novelists, but like any other list, it’s a good place to start.
With my yearly New Year’s Resolutions, most of which I will never revisit, I usually come up some kind of reading project, based around genres, authors, or settings I’ve neglected. 2015’s goal? Best not mentioned, as I miserably failed in my efforts to complete it. 2016’s reading goal? Read fifty books by women, and if possible, fifty works of crime fiction by women; not just new releases, but also classic noir and domestic suspense. With the release of Women Crime Writers of the 1940s and 50s, we’ve entered a new era of publisher and reader support for crime fiction classics by women.
Many of the books below are part of the zeitgeist – you’ll see a lot of girls in the title. I’ve also tried to focus on reading some of their antecedents, and you’ll see works on the list from Dorothy Hughes, Daphne Du Maurier, Margaret Millar, Patricia Highsmith, and other classic women crime writers of mid-century America, plus a couple of golden age works from Dorothy Sayers and Agatha Christie. You won’t find many representatives of the tough second-wave protagonists of the 80s and 90s, or many works in translation – both areas, I’m sorry to admit, I neglected in the past year.
You will find quite a few books set in Texas, and some that have yet to be released; both quirks of a bookseller’s reading habits, as we tend to dive deep into the literature of our areas, and often receive early copies of upcoming releases.
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- Post by Director of Suspense Molly Odintz
2016 was a stellar year in international crime fiction – the stories below run the gamut from humorous to heart-breaking, daring to disturbing, and playful to pensive. There are entries on the list from Britain, Ireland, Brazil, Canada, France, Argentina, and more, yet the works are just some of the standouts in a thriving international crime fiction community.
1. The Mother by Yvette Edwards
Yvette Edwards tells a moving tale from a complex perspective in this story of murder and consequences in London. Eight months after 16-year-old Ryan is stabbed to death by another teenager, his killer goes on trial, ready to protest his innocence. Ryan’s mother, and her sister Lorna, are torn between their search for justice and their empathy for the teenager on trial. The outcome of the trial comes down to the testimony of a vulnerable teenage mother previously involved with both Ryan and the defendant, and after amping up the action in the last third of the book, Edwards provides a hopeful conclusion. One of the most necessary and moving books of the year.
This book is twisted! Frustrated by a lack of fulfillment in his imaginary relationship with a cadaver, a young medical student kidnaps a writer named Clarice and takes her on road trip through Brazil. From locking her in a suitcase to forcing her to accept his edits to her novel, the doctor-in-training makes Clarice’s life hell, all while justifying his actions to the reader in increasingly bizarre and sometimes comical ways. After several reversals of power, the ending will leave your mouth agape. As funny as it is disturbing!
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