Interview by MysteryPeople contributor Scott Butki
Pacific Burn, Barry Lancet’s latest thriller, and his third in his Jim Brodie series, at least for me, departed from the traditional detective story from the start – yet the more I read, the more I got into it…. and grew to love it.
Why is it a departure? Well, let me set the stage for you. As the book begins, a character who soon becomes the protagonist is interrupted from his work liaising between the U.S. and Japan, and his second job, selling high priced classic Japanese art to wealthy Americans, to go to a crime scene, where someone has been asking to talk to him. Immediately, I think, OK, I am pretty ignorant about both Japan and most classic art, so I may have trouble connecting and relating. Through the eyes of Lancet’s protagonist, however, the reader easily becomes immersed in the criminal underworld’s lust for high-priced art.
One major plot thread was inspired by real life: the Fukushima nuclear meltdown after a disastrous earthquake and tsunami hit Japan. I live in Tokyo, and at talks for my first two books, people often asked me about the leaking radiation and why so little was known about this major disaster that obliterated entire towns and did God-knows-what to the environment. Reports indicated that a lot had been hidden from the public by Japan’s so-called “nuclear mafia.” It was a story just waiting to be told.