Glenn Gray’s The Little Boy Inside & Other Stories has won us over, but the collection has earned fans beyond MysteryPeople. Both Joe Lansdale and Scott Phillips are fans of his work. A practicing radiologist, he often uses medical anomalies to launch into his genre-bending tales. We put a few questions to Glenn and here’s what he said.
MysteryPeople: In simple genre terms, you’re all over the place. How would you describe your work?
Glenn Gray: Some kind of twisted medical type stuff maybe? Not really sure. I’ve heard it referred to as body horror, weird fiction and medical noir. I never really thought much about genre, I just write and see what happens. The medical stuff seems horrific to some readers, but to me, it’s often funny. I write the kind of stories I’d want to read, and I found over time I got a kick out of writing certain types of stories. Certain genres overlap in my mind anyway, like noir, horror and crime. To me, it’s all just dark. If I had to pick one description of my work, friend and writer buddy David James Keaton early on dubbed my
stuff as Cronenboiled or Cronenbergian noir, which I really dug. I owe DJK for that one.
MP: Much of your work comes from your experience in the medical profession. What do other writers who are non-practicioners get wrong about the field?
GG: I’m an anatomy nut, so any description of anatomy has to be correct. And things have to make sense from an anatomic or physiologic standpoint. For example, if there’s a knife or gun wound to the neck, and the jugular was sliced, it wouldn’t be pumping fountain-like arcs of blood. The jugular is a vein, it doesn’t pump. It’s a minor point because it’s next to the carotid artery, which will pump, so if one is cut it’s likely the other will be too. Those are the kind of details that stand out to me. Fun part is, I’ve had writer friends message me and ask all sorts of wild questions, like the proper way to rip someone’s head off with bare hands, or if something with a medical element sounds plausible. It’s great fun being able to help out that way.
MP: Who are your influences?
GG: Roald Dahl, Stephen King, Richard Matheson, Chuck Palahniuk and Joe R. Lansdale, to name a few. Mostly because they write what I like to read and write, dark and often with a humorous component. And usually a little twisted or with a fantastical element. I like stuff that goes off the rails but has some basis in reality, however minor. So the reader thinks, this is a little crazy, but I wonder if it could really happen? They all write a lot of short fiction too, which is cool because I love reading the short stuff. And they’re hard to pinpoint on genre, which helps enforce the notion that it just doesn’t matter. Write whatever the heck you want, what makes you happy first, then worry about it later. That’s the way I see it anyway.
MP: Do you have any interest in doing a novel?
GG: Working on it. I just finished a sci-fi novella and I’m working on a second collection of short fiction as well. The novel is turning out to be a mix of genres like the short stuff. Some medicine, some crime and some weirdness.
MP: What is your main aim for the reader when you write?
GG: First and foremost is to entertain. I want the reader to have fun. The bonus is if they feel something. Something visceral. Queasy maybe? And think about their body in a way they haven’t before. About how complex the body is, how we’re all just one mishap away from disaster. How so many organ systems keep functioning in concert day after day. It’s amazing to me that more doesn’t go wrong more often.
MP: Is there anything too gross to write about?
GG: Nah. Don’t think so. And I’ve learned that everyone’s definition of gross is very different. I think any topic can be written about, it’s just how you do it. It’s all about the angle.
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