Scott’s Top Ten of 2017 (So Far)

  • Post by Crime Fiction Coordinator Scott Montgomery

Around this time of the year, we like to look back on what has come out so far in the year as we think of suggestions for reading for the rest of the summer. Below, you’ll find recommended reads that deserve their due. In fact some are so good I had to combine a few, so my top ten is a top twelve.

97800626644191. The Force by Don Winslow

I know, an obvious choice, but it is so obviously great. This epic look at today’s New York through police eyes has plot, character, and theme singing together in this opera of city corruption. You can find copies of The Force on our shelves and via bookpeople.com

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Moments of Incredible Brutality: MysteryPeople Q&A with David Joy

  • Interview by Crime Fiction Coordinator Scott Montgomery

David Joy caught our attention with his brutal and poignant debut, Where All Light Tends to Go, hailed as a modern classic in the growing genre of rural noir. His next book, The Weight of the World, is our MysteryPeople Pick of the Month, and comes out today! David Joy was kind enough to answer a few questions about his latest book and his philosophy of writing. 

MysteryPeople Scott: The Weight Of This World deals with three characters on the bottom rungs of society who’ve made some bad life choices, but you never feel like your look at people in a white trash zoo, you have an understanding of them. Can you talk about how you approached Thad, Aiden and April?

David Joy: I remember one time hearing George Saunders say, “Fiction is empathy’s training wheels.” That idea has always stuck with me. I think the most important job I have is to show the humanity of every character I write. When you’re telling the kinds of stories I tell about the types of people I’m writing about, you carry a tremendous obligation to get to that humanity, and that’s not an easy thing to do. We’re talking about drug addicts and thieves, people capable of committing horrifying acts of violence. We live in a world where we’re able to put a great deal of distance between “us” and “them” for the sake of comfortably. We live in a word where it’s easy to demonize those people, to say to ourselves, “I’m nothing like them.” The problem with that is it leaves little room for dislodge, and without conversation you can never address a problem. I was reading a review recently and a woman said, almost angrily, “He made me care about these people!” That’s about the highest compliment I could ever hope for. I made them care. The reality is, as much as I wish it weren’t true, that’s a very hard thing to do.

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MysteryPeople Pick of the Month: THE WEIGHT OF THIS WORLD by David Joy

  • Post by Crime Fiction Coordinator Scott Montgomery

9780399173110David Joy got our attention in 2015 with his debut Where All The Light Tends To Go. The searing rural noir proved there was still a lot to mine from the subgenre. Now Mr. Joy picks up his tools and goes down down even deeper into that dark hole with The Weight Of This World.

Like Where All The Light Tends To Go, this book deals with the double edge sword of friends and family, upping the stakes in complexity of those relationships. A triangle between three people serve as the base for this tale. Thad Broom returns from Afghanistan, finding combat easier to deal with than returning to life in his Appalachian town, even though he struggles to come to terms with his wartime experience. To survive he takes copper from derelict homes and pulls a few petty crimes with his life long buddy Aiden. Soon enough, one of those crimes gets them in the middle of a shoot-out that drops a bunch of drugs in their lap. When Broom’s mother April, who is also Aiden’s lover, hears about this, she tells them to go back to the trailer where it happened, since there should be money. All three see the narcotics and cash as a way to escape their circumstances, but it just puts them all way over their heads.

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Edgar Nominations Announced!

 

mwaThe nominations for the 2016 Edgar Awards were announced last week. This seemed to be the year where great minds think alike – many of the nominees made in on to our best of 2015 lists, put together by Scott and Molly. 

We want to congratulate old friends and new favorites, including Duane Swierczynski, nominated for his novel Canary, David C. Taylor, for Night LifeMichael Robotham, for Life or DeathMegan Abbott, for her short story “The Little Men,” Philip Kerr, for The Lady From Zagreb, Lou Berney, for The Long and Faraway GoneLori Rader Day, for Little Pretty Things, David Joy, for Where All Light Tends To GoGordon McAlpine, for The Woman with the Blue Pencil, Jessica Knoll, for Luckiest Girl Alive, and Adrian McKinty, for Gun Street Girl.

Congratulations all the others who made it. Best of luck to everyone and have a great time in New York.

Click here for the full list of Edgar Nominees.

Scott’s Top 10 Debuts of 2015

– List compiled by Crime Fiction Coordinator Scott Montgomery
Usually I only pick five novels in this category, but this was such a great year for new voices, the list needed to be expanded. I even had to cheat a little and allowed two to tie for the top.

978039917277997803991739671. Where All Light tends To Go by David Joy & Bull Mountain by Brian Panowich

Both these authors proved there is still a lot of life in rural noir. Writing with the skill and emotion of seasoned pros, they bring the mountains of South Carolina and Georgia to vivid, poignant, and painful life with their tales of fate, family, and violence.

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Scott’s Top 10 (Okay, 12) Of 2015 So Far

Scott’s Top 10 (Okay, 12) Of The Year So Far

We are now in the last month of summer reading. If you want to go out with some quality crime fiction, here are some suggestions of books both talked about and deserving of attention. It was difficult to cut this list down and even when I did, I doubled up on a couple that shared a few traits.


the cartel1. The Cartel by Don Winslow

This mammoth, yet fast paced look at the war with the Mexican cartels is epic crime fiction at its finest. Full of emotion, great action, and sharply drawn characters, this book is destined to be on a lot of critics’ list for 2015 as well as becoming a classic. Even more entertaining, is that Winslow’s drug kingpin, Adan Barrera, has a lot in common with current fugitive Cartel boss, El Chapo.


bull mountainwhere all the light tends to go2. Bull Mountain by Brian Panowich & Where All Light Tends To Go by David Joy

Both of these rural noirs by debut authors show there is still a lot of life in the subgenre. These books view ideas of violence, kin, honor, and retribution with the eyes of an author with decades of experience and the energy of newcomer.


long and faraway gone3. The Long & Faraway Gone by Lou Berney

The ambitious novel balances three mysteries to look at the ripples of a violent act and the effect it has on the survivors. Great pacing and clean, accessable style allow for this rich, multi-character story to flow beautifully.


bishops wife4. The Bishop’s Wife by Mette Ivie Harrison

Loosely based on a true crime, this book gives us an inside and very human view of modern Mormon society. Harrison balances both interior monologue and exterior dialogue to give us a main character who doesn’t know if she can always speak her mind.


doing the devil's work5. Doing The Devil’s Work by Bill Loehfelm

A routine traffic stop for rookie patrolman Maureen Coughlin leads to a conspiracy involving a black drug dealer, white supremacists, guns, a prominent New Orleans family, and some of her fellow officers. Loehfelm renders the both the drudgery and danger of police work and the web of corruption that even ensnares good cops.


love and other wounds6. Love & Other Wounds by Jordan Harper

These short stories herald a great new voice in crime fiction. Harper has a cutting prose style that reveals the souls of violent men.


soil7. Soil by Jamie Kornegay

A mix of Southern gothic with psycho noir about a failed young farmer who finds a body on his flooded property. Kornegay knows how to capture people driven by their obsessions and at the end of their rope.


concrete angels8. Concrete Angel by Patricia Abbott

Abbott’s inverse retelling of Mildred Pierce has a classic feel even though the story about a daughter caught up in her mother’s mania and criminal schemes has a modern psychological bent. A page-turner in the best sense of the word.


past crimesthe devils share9. Past Crimes by Glen Erik Hamilton and The Devil’s Share by Wallace Stroby

Two great hard boiled tales from the criminal point of view. Whether Stroby’s heist woman or Hamilton’s “reformed” criminal out for revenge, these books deliver all the tropes with a fresh take and pathos.


all involved10. All Involved by Ryan Gattis

This tapestry of short stories that take place in L.A. during the six days of the Rodney King Riots is both blistering and human. A historical novel that has a lot to say about the present.


You can find copies of the books listed above on our shelves or via bookpeople.com.

Down and Dirty in the Country: A Quick Look at Rural Noir

Noir is a genre usually identified with the city. Concrete and steel cut off our anti-hero, throwing an endless shadow over him or her. At the same time, however, authors were also looking at the darkness, isolation, and evil in small towns or farms. When we weren’t looking, the sub-sub-genre of rural noir took over like kudzu.

The roots of rural noir come from the Southern Gothic authors. One could argue that William Faulkner was an early practitioner. As I Lay Dying uses many noir tropes with a stylized point of view, family secrets, dark humor, and a bleak look at class. Flannery O’Connor is another author whose influence shows itself in the works of current rural noir authors. Her use of religion and perspective of evil can be seen in the work of Jake Hinkson in such modern classics as Hell On Church Street

“Noir is a genre usually identified with the city…at the same time, however, authors were also looking at the darkness, isolation, and evil in small towns or farms.”

One of the first great examples of rural noir is James Ross’ They Don’t Dance Much. Using Southern speech, much like Chandler used the Southern California dialect, Ross tells the story of jack McDonald, a failed farmer who ends up running a road house owned by schemer Smut Mulligan, who later pulls Jack into a robbery and murder. A power play ends up between the two involving Lola, the wife of the town proprietor Smut is having an affair with. It took the James M. Cain noir structure and themes and put a country spin on it.

Jim Thompson wrote many tales from the city, but some of his best dealt with shady small town lawmen. The Killer Inside Me, still one of the most chilling books ever written, features West Texas deputy and psychopath, Lou Ford. Lou pretends to be a dim hick, who mainly tortures the town citizens, many with their own dark secrets and agendas, by talking in cliches and platitudes. When he develops a brutal relationship with a prostitute, he and the town both violently spiral downward.

“…the violence almost becomes redemptive in this black satire on small town culture and bigotry…”

Thompson took the bad lawmen to new heights in the Sixties with Pop. 1280. MysteryPeople screens Coup de Torchon, French director Bertrand Tavernier’s Algerian-set film version of the Pop. 1280, on Sunday, July 7, as part of our Double Feature Film Series. Screenings will be followed by a discussion of the book and film, and all screenings are free and open to the public. Nick Correy is the lazy, philandering sheriff of a small Southern town during the Nineteen-Teens. When he’s challenged in an election and kills to stay in the lead, we learn how smart and dangerous he is. What is odd is how Nick keeps his genial tone and how the violence almost becomes redemptive in this black satire on small town culture and bigotry. It is interesting to note that Thompson’s father was an Oklahoma sheriff who was caught embezzling when the writer was young.

The author who truly opened the door for rural noir was Daniel Woodrell. Originally writing about Rene Shade, a police detective in a corrupt Louisiana parish, in his Bayou Trilogy, he later moved his settings to the Ozarks, were he was born and raised, in such novels as Winter’s Bone (screened last year as part of our Noir Double Feature Film Series) Woodrell’s novels are somewhat the country cousins to George Pelecanos’ D.C. novels, including the recently released and critically acclaimed The Martini Shot: A Novella and StoriesWoodrell and Pelecanos both create character-driven stories, where criminals are motivated by extreme poverty and drugs (crack for Pelecanos, meth for Woodrell) plague an entire community. Woodrell dives into his stories on a personal level with a poetic prose style. The beginning paragraph of Tomato Red, with its page-long, run-on sentence, is work of great humor and craft. He delves into the lives of the working class and the poor from his area, inspiring a wave of other writers to use their rural background in their noir.

“…rural noir has a strong lineage, an established canon, and the manifest destiny to travel down every back road and tell its story…”

Several of these writers inspired by Woodrell have already established themselves in the rural noir cannon. Frank Bill built a reputation through his short stories dealing with hard men and harder women pushed to the brink of violence and beyond, exemplified in the collection Crimes In Southern Indiana. His debut novel, Donnybrook, is about several characters and the trail of blood they leave behind as they head to a bare knuckle fight. Donnybrook shows how meth in the Midwest has fused the drug and culture together. Another great take on the subject is Matthew McBride’s relentless A Swollen Red Sun. McBride sets a Missouri county aflame when a deputy takes seventy-two thousand dollars from a meth dealer’s trailer in a moment of weakness. The book is reminiscent of Dashiell Hammett’s Red Harvest in its look at how a corrupt society destroys itself. Benjamin Whitmer’s anti-heroes get ping-ponged from their country homes to the city, trapped by their violent compulsions, developed of necessity but leaving his characters isolated and alone. Both of his books, Pike and Cry Father, are emotional gut punches.

the genre of rural noir is expanding rapidly, and it has room to do it. Both David Joy and Jamie Kornegay have shown new back roads with their novels Where All Light Tends To Go and Soil. Jamie Kornegay joins us Monday, May 4, for Noir at the Bar at Opal Divine’s. Frank Wheeler, Jr.’s debut, The Good Life, set in rural Nebraska, hopefully ushers in a long career writing great rural noir set in Midwestern wastelands. We also have yet to see many female writers and authors of color embrace the sub-genre. As rural noir grows in self-confidence and acclaim, I hope to see many more diverse voices in the genre, but already, rural noir has a strong lineagean established canon, and the manifest destiny to travel down every back road and tell its story. Like Hank William’s country boy, the genre can survive, and even thrive.