Murder In The Afternoon Book Club to Discuss: DEATH WITHOUT COMPANY by Craig Johnson


At our September 15th Murder In The Afternoon Book Club, we won’t only be discussing Craig Johnson’s second book, Death Without Company, we’ll be talking to Craig himself. This book proves that his debut, The Cold Dish, wasn’t beginner’s luck. It’s a mystery that deals with a Wyoming subculture and someone very close to the series’ hero, Walt Longmire.

9780143124818The story takes place soon after the events in The Cold Dish, with things looking up for our sheriff as he waits for his daughter Cady to return home for the holidays. However, trouble swells when a woman at The Durant Home For Assisted Living is found poisoned. Of Basque descent, she immigrated from a section of Spain that became prominent in Wyoming’s sheep industry. She also has a sordid history with Lucian Connally, Absoroka, the sheriff before Walt who was also his mentor.

We’re excited to have Craig call in! He’s very funny and insightful. We’ll be meeting at 2PM on the third floor Tuesday, September 15th. The book is 10% off for those who plan to attend.

Noir at the Bar Tonight!


Our last Noir At The Bar of 2014 (happening tonight, November 24, at 7pm at Opal Divine’s) has us going out with top talent. The line up is composed of first offenders and hardened felons. We’ve got both rural and southwestern noir authors and a guy who mashes up so many genres that we don’t know what the hell to call him. And of course, we’ll be joined by our own Jesse Sublett

C..B. McKenzie is the recent winner of the Tony Hillerman award for Bad Country. The book introduces us to cowboy-turned-private eye Rodeo Grace Garnett. McKenzie gives a rough and tumble feel to an unromanticized American west.

Glenn Gray’s The Little Boy Inside And Other Stories has been getting great buzz. The tales, which range from crime (especially involving illegal steroid use) to sci fi to body horror, are almost always funny and disturbing. Don’t eat while Glenn reads.

Matthew McBride instantly became a MysteryPeople favorite with his gonzo hard boiled debut Frank Sinatra In A Blender. He has received more rave reviews for his intense rural crime novel A Swollen Red Sun. The book deals with the repercussions of corruption in a Missouri county overrun by meth and violence.

Austin author and musician Jesse Sublett will perform some of his murder ballads, as well as reading (his latest is Grave Digger Blues) and everyone will be on hand to sign books afterwards. Before you’re put upon by holiday cheer, join us at Opal’s and celebrate the noir side of life.

New Book Club! Join Us for Murder in the Afternoon



Sometimes you can’t wait until the evening to talk about murder. With that in mind, we invite you to join us for Murder in the Afternoon, a brand new afternoon book club, meeting on the third Tuesday of each month at 2PM on BookPeople’s third floor (603 N. Lamar Blvd). Join us for coffee, tea, and discussions of some of some of our favorite books in the mystery genre. All meetings are free and open to the public!

Discussion Schedule:

Tues 8/19 – The Cold Dish by Craig Johnson
***Craig will call in to discuss the book with us!

Tues 9/23 – In The Woods by Tana French

Tues 10/21 – The Carter Of La Providence by George Simenon

Tues 11/18 – Death On Tour by Janis Hamrick

Tues 12/16 – The Beggar King by Oliver Potzsch

Tues 1/20 – Death In The Andes by Mario Vargas Llossa

Book club books are 10% off at BookPeople! Just let your cashier know you’re buying it for book club. Or give us a heads up in the Comments field when you’re checking out at

For books & to bookmark the schedule, visit

7% Solution’s Take on BIG RED TEQUILA

big red tequila

~Post by Molly

On Monday, July 7, the Seven Percent Solution book club had the distinct pleasure of discussing Rick Riordan’s great Texas noir, The Big Red Tequila. This intriguing foray into the criminal world of San Antonio in the late ’90s is Riordan’s first novel to star Jackson “Tres” Navarre. Tres has a unique skill set: he is an English PhD, T’ai chi master, and all-around force to be reckoned with.

As the novel begins, Tres has just returned to San Antonio after a ten year absence. Why so long away? Tres’s sheriff father was murdered there the last time Tres was in town, and now he’s looking for answers. He also hopes to reunite with his high school sweetheart, who soon goes missing amid conspiracy coming to a boil.

Luckily, Tres Navarre and his enchilada-eating cat, Robert Johnson, have the talent and drive to find his girlfriend, solve his father’s murder, and drink some margaritas on the way. He gets some extra help from his old boss and his brother in Austin, and he and his brother pass some time complaining about the tourists out for the South Congress bat colony. This scene combines with descriptions of the developing I-35 corridor, the burgeoning tech industry, and fights over gentrification to make Riordan’s tale as relevant to Texas today as when it was first published.

We agreed at book club that Riordan’s descriptions provide a heightened sense of reality, and that his knowledge of San Antonio and Texas shines throughout the novel. One member described feeling the Texas heat in particular, so you might want to read this one inside. We also came to a consensus that Robert Johnson was an amazing cat, and that Tres’s old flame might not be the best person to date. We agreed that as long as Texas keeps growing, this novel will never become irrelevant. Finally, we all made up our minds to read the Devil Came Down to Austin, to see what the hero makes of our fair town.

Next up for the book club, we are reading Paper Towns, by John Green. We’ll meet to discuss on Monday, August 4th. This novel won the Edgar Award for Young Adult fiction and since we’ve all been dying to read something by John Green, we were delighted to realize that Paper Towns qualified for our book club. You can check our facebook page to vote on the Seven Percent Solution’s book for September. As always, we meet on the first Monday of each month at 7PM on BookPeople’s third floor. Books discussed are 10% off for those who attend the meeting.


All of BookPeople’s book clubs are free to attend! No reservation necessary. 

Hard Word Book Club Discusses BLOOD & TACOS

blood tacos

~Post by Scott M.

The Hard Word Book Club is known for its share of tough guy fiction, but we get real manly on July 30th with the anthology Blood & Tacos edited by Johnny Shaw. It is a great tribute to the men’s action paperbacks of the ’70s and ’80s.

Shaw rounded up some of the best talent, including Thomas Pluck, Josh Stallings, and himself. Each contributes a story he “found” from the era, along with a bio of the author (which can be as entertaining as the tale). The stories range from straight up homages like Gary Phillips’s The Silencer Strikes or semi-parodies, such as Todd “Big Daddy Thug” Robinson’s story featuring the deep-sea-diving and womanizing he-man Studs Winslow. Many are funny, all are fun.

The discussion should be a blast with Johnny joining us on the phone. We start at 7PM, on the third floor, Wednesday July 30th. Books are 10% off to those who attend. Check for more info.

GETTING LIFE: The Story of Michael Morton

getting life~post by Scott Butki

Michael Morton has written an amazing, moving, and inspiring memoir about spending almost 25 years in Texas prisons for being falsely convicted of murdering his wife, Christine Morton. I was so excited when he agreed to let me interview him by email. I do at least 25 author interviews a year, but the two most important and meaningful to me in the last 5 years have been with Morton and movie critic Roger Ebert, both fascinating people.

I have followed the Morton case with interest since moving to Austin about 5 years ago as it was often covered in local news media coverage. It’s not every day that a) A man is released from prison after serving nearly 25 years for a false conviction and b) One reason for the release is the prosecutor, who at the time of Morton’s release was Williamson County District Judge Ken Anderson, withheld important evidence from the defense.

Not only was Morton released but Anderson was rightly punished for his actions. Morton, in his review, avoids what must have been tempting: namely, using the book to get revenge against Anderson and the county sheriff, whose investigation of the murder was so awful as to be laughable.  However,his writing about Anderson’s hearing for misconduct evens things out without being mean as it describes a defensive Anderson hating to answer the kind of tough questions he had asked Morton. It’s a nice bit of poetic justice especially when Anderson had to go to jail for contempt of court for withholding evidence though for only a short period of time.

At one point in his memoir about his challenging life, Morton reveals a detail that makes this whole story even crazier: How did the defense realize there was evidence not shared? During conversations with the jury after conviction, someone from the prosecutor’s office told the jury there was evidence not shared. Despite this admission it still takes more than 20 years for the prosecutors and a judge to test DNA found on a bloody piece of clothing found near the house where she was killed.

Ultimately, the DNA matched Mark Alan Norwood, who was also accused of killing another woman in the same manner: beaten to death in their own beds. Norwood was convicted after a trial in which Morton had to once again look at the photos of the crime.

His case sparked a law with his name on it: The Michael Morton Act, which went into effect on Jan. 1, 2014. It is set up to ensure the discovery process is more open to remove barriers for getting evidence.

One of the hardest parts of the whole book and Morton’s life is that he and Christine had a child, Eric. Eric told relatives he saw a man other than his dad hurting his mom and this was some of the information the prosecution refused to share with the defense. But Eric was raised by relatives convinced of Morton’s guilt and he eventually believed them so Morton lost the two people he loved the most: his wife and his son. After his dad was released the boy, now a man, has to adjust to the realization that what he thought he knew about his dad was wrong.

One reason the case has received so much attention, with a documentary about his case and his life and a 60 Minutes piece, is that this is just a regular guy with no criminal history, who did nothing wrong but who got caught in the system. It’s a reminder that there ARE innocent people in jail. As Morton said at one point in the book he’s just lucky his was not a capital case because he might not still be around.

Fortunately, groups like the Innocence Project work to find people protesting their innocence and do DNA testing to help them get freed. I’ll end my introduction here with an excerpt from the foreword, written by Barry Scheck, the co-founder and co-director of the Innocence Project:

“Michael Morton is the innocence movement’s best approximation of Everyman – a self-described average, middle-class guy, living in a Texas suburb with a wife he adored and a three-and-a-half-year-old son, who gets up early to go to work. When he arrives home later that day, he learns his wife has been bludgeoned to death. He has no record, no experience at all with the criminal justice system. No reason to believe he could be suspected or, even worse, convicted of this terrible crime. It’s like being struck by lightning without even knowing there was a storm on the horizon. Unthinkable. Yet from Michael’s story alone, especially the way he tells it, any sane American can will have to conclude that if it could happen to Michael Morton, Everyman, it could happen to me, it could happen to anyone.”

michael morton

Scott Butki: How did this book come together? Did you rely a lot on the journals you wrote in prison?

Michael Morton: One of the challenges of writing this book was structuring it to be both interesting and readable, without it feeling contrived. Because it is a memoir, my feelings and memories are important. On the other hand, I wanted it to be accurate. I relied on my journal more than anything. But I also consulted court transcripts, newspaper articles, legal documents, and some of the raw material we collected when making the documentary.

SB: Did you ever think, “If I ever get out of prison I’ll write a book and explain all of this”?

MM: I never dreamed that my life might be a publishable commodity. I kept my journal because I envisioned my son asking about prison, someday. My plan was to drop my 1000+ page journal in his lap. That may not have been too wise, too practical, or very kind (no one likes a mountain of unedited rambling). Nevertheless, that was the ill-conceived plan.

SB: When you told prisoners and prison staff you were innocent did any of them believe you? Did that add to your frustrations?

MM: On those rare occasions when I revealed my situation to someone in prison, I was never sure if they believed me or not. And in the end, I don’t think it mattered if they did. I suppose one of my motivations was simply embracing the human need to share. All prisoners share the horrible food, the institutional clothes, the depressing circumstances, and the odious company. I always took a small amount of comfort when someone inside asked why I was there. They didn’t want to know about my crime. Instead, the obvious implication was that I looked and behaved nothing like a felon. It was a shame that a mere prisoner could see what the entire criminal justice system could not.

SB: You write with clear emotion about how your son never really got to know you and you two drifted apart because you were in prison for most of his life. Have you two been able to rekindle a relationship since your release?

MM: The rebirth or reinvention of the relationship my son and I share has been uneven. At first, it felt forced. Then, it waned. After that, it started anew. I guess the most honest statement would be that the trajectory of our relationship has been “organic.” It’s probably closer to normal now than ever. And just like so-called normal father/son relationships, we take two steps forward and one step back. A lot of people want us to be attached at the hip. But we live in different cities, hundreds of miles apart. We see each other semi regularly. He is a young man with a wife, two very small children, a budding career, and mortgage. I remember what that’s like. So, I just smile and schedule visits when it fits both of our lives.

SB: Did you think you would ever get out? Did you ever reach a point where you gave up on that happening?

MM: For whatever reason — call it optimism or delusion — I always figured I’d get out. I didn’t know how and sure didn’t know when. I just couldn’t accept that such a monumental injustice would last. There were, of course, good days and bad. Who am I kidding? There were good years and bad. But I believe that, in the end, good triumphs over evil. I believe in a universe that makes sense. I know that God is sovereign and that our lives have purpose. Without that belief, we would end up like Nietzsche, alone and insane.
SB: How do you feel about Barry Scheck and others using you as an example of an everyman who gets arrested and imprisoned despite being innocent? Put simpler how do you feel about being put in that role?

MM: To be blunt, I DIDN’T LIKE IT. But in all candor, I have to admit that it made me who I am. The experience, as distasteful as it was, improved me. It refined me and opened my eyes to what is important and what is not. I now see all of existence in its proper perspective. Nietzsche may have been crazy in the end, but he got one thing right: That which does not kill you makes you stronger.

SB: A lot of people including me, view what happened to you as a reminder that courts make mistakes, sometimes huge ones. Is that one of the lessons you want people to take away from this book? What other lessons do you help it will teach?

MM: Of course the courts make mistakes. They’re filled with human beings. So, our system of justice is no better or worse than the people in it. One of the institutional lessons I hope people take away from what happened to me is the genuine need for “checks and balances.” We should be very, very careful about putting too much power in one person. We should also be as sure as we can be that our procedures are transparent. Everything our government does — especially when it is trying to take away a citizen’s liberty — should be open for examination.

On a more personal level, though, I want people to read my book and see that whatever they’re going through — be it financial, marital, emotional, physical sickness…whatever — is for their good. I know that’s a pretty tough pill to swallow, but I’ve found it to be true. If a person is honest, he or she will be able to look back on their ordeal and recognize that it was exactly what they needed.
I also hope people will see what I went through and learn to never, ever give up.

SB: I read that you have forgiven everyone involved in the case. If so how did you manage that? Does that mean you have even forgiven your wife’s real killer?

MM: Yes, I have forgiven those involved with my case. It was a conscious choice. It took a good while, but I learned that keeping that sort of hatred and animus within me was hurting me, not them. When I released all that, it felt as if I’d suddenly lost 20 unwanted pounds. I literally felt better.
We’ve all heard that you reap what you sow. It’s true. Doing to other what we want for ourselves is one of the pillars of the Judeo-Christian/Western Civilization perspective. It is not some arbitrary concept. It’s genuine. It’s good for the individual. And it works out for all of us, in the end.
It is a process, though. Take the man who killed my wife, for instance. I am still working on that. I am not there yet. I believe I will get there…but as it said, it’s a process.
SB: You said in the book that Jack Anderson saved your journals for you while were in prison. How did that work?

MM: Prisoners have a limited amount of space for personal possessions. So, whenever I would accumulate 10 or 20 pages, I’d mail them to Jack Anderson. Through innumerable moves, at least two marriages, and I’m sure the temptation to unload the scribblings of someone who might never get out, Jack held onto my journal. He is a true friend, a man who does what he says he’ll do. That kind of guy isn’t easy to find.

SB: Was it difficult and/or therapeutic to write this book?

MM: It was both difficult and therapeutic. As you might image, it hurt to go through all those years yet again. But it helped me. I’ve probably saved a ton of money on shrink bills.

I began writing this book as one of many ways to put pressure on the Texas Legislature. However, we got what became known as the Michael Morton Act passed rather quickly. Then, I found that I was obligated to finish the book. So, here we are.


Copies of Getting Life are available on our shelves and via We ship worldwide. 

Cops, Teachers & Swingers: Austin’s Next Noir at the Bar

One of the reasons we put together our Noir At The Bar series is to introduce Austin to crime fiction writers who are not getting the attention they deserve. On Monday, July 7th at Opal Divine’s, we hope to put some top tier talent on your radar with our latest Noir at the Bar. Whether you like police action, hard boiled mystery, or dark, strange stories, we’ll have an author you need to know.

Dan O’Shea writes a cop novel like no other. In the latest book in his series featuring detective John Lynch, Greed, a soldier of fortune brings blood diamonds into Chicago to sell, putting Lynch in the middle of drug cartels, terrorist cells, government agencies, a spoiled actor who puts out a mob contract, and a lot of bullets. O’Shea gives us an intense shoot-out and chase finale that lasts for a hundred pages. Dan’s John Lynch books have a great mix of literary plotting and scope, with a cinematic pace and attitude.

Tim O’Mara’s character is Raymond Donne, an ex-cop who now works as a teacher in a Brooklyn school. The last novel, Crooked Numbers, had Ray looking into the murder of his former student, which involved family, class, and an unusual crime. O’Mara plays with moods and tone like an expert jazz musician.

For something completely different, we have Jonathan Woods. His first short story collection, Bad JuJu, was like a bunch of wonderful experiments brought to life by a mad noir scientist. His new collection, Phone Call From Hell, has crime, kinky sex, barbecue, and an appearance by Charles Manson. As wild and strange as his tales are, there is a skilled level of loose craftsmanship that’s to be admired. One of the stories, “Swingers Anonymous” is being turned into a film.

So come out to Opal Divine’s at 360 South Congress on Monday, July 7th at 7PM to meet these authors. Austin musician and author Jesse Sublett will provide both a music and a reading. Books by the authors will be available for sale. Grab a drink, hold on to your fedora, and prepare to be blown away by a new wave of crime fiction.

International Crime Month: Melville House

melville house

~post by Molly O.

Melville House’s International Crime imprint has ambitious aims and far-reaching follow-through. They mean to publish international authors whose work compares favorably to the early English language masters of noir. As a radically oriented publisher, they concentrate on crime fiction in which solving a crime serves as a metaphor for exposing societal injustice. Melville House’s International Crime imprint prefers to place its authors in the spotlight rather than promote the imprint itself. I was impressed to note that behind the stand-alones and series lies a consistent philosophy and attention to detail that makes each Melville International Crime release a self-contained gem.

Although Melville House’s International Crime imprint is, to this point, a small imprint, it represents a burgeoning group of diverse authors with wide-ranging subject matter. Each author has a strong sense of place that makes “international” of equal weight to “crime.” Because Melville prefers to emphasize authors and their oeuvres, I will give a brief run-down of some of the various series they have released.

Austrian Wolf Haas, one of Melville’s most prominent crime fiction novelists, writes darkly humorous novels satirizing just about every aspect of modern-day Austrian life. His latest novel, Come Sweet Death, was recently reviewed on our blog.

Polish author Marek Krajewski’s novels are comparable to those of Phillip Kerr or Alan Furst as his protagonist, policeman Eberhard Mock, attempts to solve small crimes within the larger crime of 1930s fascism.

Frenchman Didier Daeninckx engages in left-wing politics when he is not writing socially critical detective novels. His crime fiction has had a powerful political impact on France’s willingness to address WWII-era war crimes in the public sphere. His latest release, Nazis in the Metro, serves as a powerful condemnation of right-wing extremists and, although written in 1995, seems even more relevant today in light of recent European election results.

Mukoma Wa Ngugi, born in Illinois and raised in Kenya, is two books deep into a series featuring Detective Ishmael, a policeman embroiled in politically motivated murders at home and abroad. His first two crime novels are Nairobi Heat and Black Star Nairobi.

As their International Crime Imprint continues to grow, Melville House has published increasingly diverse voices always willing to engage in edgy and biting social criticism. These authors never sacrifice story to polemics, however, and each author published by Melville House becomes an instant part of the contemporary noir cannon. They are also committed to bringing us classic crime fiction long-since out of print. One of their most exciting new authors, Giorgio Scerbanenco, has been described by Melville as the “Father of Italian noir” and the “Italian Simenon,” and Melville has just released Traitors to All, the first volume in his seminal 1960s Milano Quartet.

All of these books are available here on our shelves at BookPeople and via, come check them out!


MysteryPeople Crime Fiction Fest!


7 Crime Fiction Authors

Double Feature Film Series

International Crime Month


June is an incredible month for crime fiction here at MysteryPeople. There’s so much going on, we’ve decided to pull out all the stops and celebrating with a month-long
MysteryPeople Crime Fiction Fest!

Join us this month for one of our many free, fun events!



7 Authors Are Lined Up To Visit BookPeople this month!
Dates & Info Available Here.

BookPeople events are free & open to the public. 
Books signed at BookPeople events
must be purchased from BookPeople. 




Join us for a brand new summer film series!

We’ll screen movies based on some of our favorite crime fiction novels, up on the third floor of BookPeople.

The screenings are FREE & open to the public.
Escape that summer heat & join us!


June 25   6PM
Double Indemnity



July 9  6PM – Purple Noon
(The Talented Mr. Ripley)


July 23  6PM
The Long Goodbye



August 6  6PM
Devil in a Blue Dress



August 20  6PM
Winter’s Bone






June is International Crime Month! We’re celebrating crime fiction writers around the world with a brand new series on the MysteryPeople blog that delves into the authors writing crime fiction around the globe and the publishers here in America who put those books on our shelves.

International Crime Month is a month-long initiative highlighting internationally acclaimed crime fiction authors, editors, critics, and publishers. Four of America’s most influential independent publishers—Grove Atlantic, Akashic Books, Melville House, and Europa Editions—have joined forces to promote one of the most vital and socially significant fiction genres of our time. We’re happy to join them!

Look for a special in-store display in MysteryPeople highlighting books from these publishers. Watch the MysteryPeople blog for regular posts throughout the month focusing on international crime fiction. 

THE KRAKEN PROJECT Hits the Ground Running

kraken project

The Kraken Project is the first solo effort by Douglas Preston. He takes the Frankenstein archetype and updates it for the information age with several twists. The result is proof that he can deliver a suspenseful and ripping yarn all by himself.

The story centers around Dorothy, a program designed to navigate a probe raft on the Kraken Mare, the largest ocean on Saturn’s moon, Titan. Since it needs to think beyond its creators for unforeseen circumstances, designer Melissa Shepard is brought in to give it artificial intelligence to think on its own. Melissa does too good of a job. Realizing it is being sent on a suicide mission, Dorothy escapes, causing the deaths of several NASA workers.

Many end up chasing after Dorothy. Melissa teams up with a government operative, Wyman Ford, trying to stop her. Parker Lansing, an unscrupulous Wall Street trader who operates in the kind of high frequency trading demonized in Michael Lewis’s current non-fiction book Flash Boys,wants to capture the program for his Wall Street slave. To flee all of them, Dorothy befriends Jacob, a suicidal teen.

It is Preston’s take on Dorothy that really brings the book to life. She begins childlike with threats and tantrums. She suffers more from confusion by her intake of information than an initial mastery of it. Her interpretation of religion is interesting and entertaining. She matures more through human contact. This is brought out fully through her interactions with Jacob, which takes the Frankenstein’s monster-child passage from a different angle.

The Kraken Project hits the ground running and doesn’t stop until it’s thought provoking ending. Douglas never forgets the need of pace and character empathy for engaging a reader. He takes a classic premise and proves that it is more timely than ever.


Douglas Preston speaks about and signs The Kraken Project here at BookPeople this Saturday, May 24 at 4pm. If you can’t make it but would like a signed copy, you can order a signed, personalized book via