FLIGHT OF THE FALCON: INTERVIEW WITH KEN BRUEN

Ken Bruen has created something that is not supposed to exist, a noir series hero. Since noir destroys the protagonist, he shouldn’t be around for another sequel. However, like his contemporaries Reed Farrel Coleman and Megan Abbott, he looks at noir deeper, with a poet’s eye. So after thirteen and right after the devastating Emerald Trilogy, Jack’s life is shattered. When hope of getting the pieces together happens, a killer who goes by the name of Silence enters his life to take what’s left. Ken was kind enough to answer some questions I had about the book, In the Galway Silence, and his character.

In the Galway Silence Cover ImageMysteryPeople Scott: In the Galway Silence is the first book after The Emerald Trilogy you wrote within the Jack Taylor series. How has has Jack’s time with Em affected him?

Ken Bruen: Jack’s time with Emerald has left him defeated in a whole new way, despite her actions, Em won a part of his grudging heart and it stole yet another part of his diminished soul to have to end her, in all ways, she left him bereft.

MPS: There is a theory that antagonist defines the protagonist. Silence is an unusual adversary. How do you see the way he goes after Jack?

KB: Terrific question. I believe it plays into the ‘ know thy enemy well lest you become him.’ I think the most interesting adversary are those who possess much of the same personality traits as the protagonist. Silence instinctively intuits that way to destroy Jack is to literally dismantle his whole life.

MPS: Both Silence and chess come up in the story, what did you want to explore with both of those?

KB: Chess is my endless preoccupation and trying to invent a tactic that hasn’t yet been tried, so Silence came from the dilemma of trying to invent a move that you don’t know how to counter as it has no previous form.

MPS: Children and parenting play a part in the book as well. What made you want to have Jack deal with those?

KB: Another fascinating question, I have been reading a lot about people who are made to feel less than if they have no children — Jack over the course of the series has been almost a parent, and even a surrogate one but lost them, he had a faint notion that if he had a child, he might yet be part redeemable and when the impossible happens and he has a child, he learns the harsh truth of the saying “More tears are shed over answered prayers.”

MPS: You have the current events that are going on as you are writing the books also going on in Jack’s background. Do you think the world of Trump and Brexit have affected Jack like they have everybody or does his personality take it in differently?

KB: Brexit and Trump endorse Jack’s view or rather confirm that the world is gone mad and these events and individuals ratify in his own noir sensibility that sometimes, the only recourse to such a world of awesome stupidity is a hurly and a bottle of Jameson and then, as you finally give up, it’s not the dove of peace that lights up your own personal sky but a predatory bird, the falcon, in the falcon Jack sees that in this broken world, a broken man might yet fly through a bird of prey, through indeed a darker sky but as Yeats said, amid the ‘Terrible beauty that is born’ and in this instance, that flies,(the falcon flies in the next Taylor book).

MPS: There’s times I think James Lee Burke, Reed Farrel Coleman, and you have a contest of who can make their series characters’ lives the worst. Do you see any limit to what you’d do to Jack?

KB: I have long been fascinated as to what it is that eventually breaks a man completely — not Hemingways’s theory of being strong in the broken places, in truth I have known since book six of the series exactly what would kill Jack in every sense, and I have tried to hint at the concept that it is not the major traumas that eventually destroy a man utterly but one tiny almost insignificant detail that proves literally to be the very last straw. This is shown at length in the new Jack I have finished, titled Galway Girl  and in the new book a falcon features darkly in the narrative

And is very much the ultimate chess piece/move I have searched for.

 

MARK PRYOR SITS IN WITH THE MURDER IN THE AFTERNOON BOOK CLUB

The Blood Promise: A Hugo Marston Novel Cover ImageOn December 17th, the Murder In The Afternoon Book Club will be celebrating the holidays during  our discussion. We’re bringing snacks as well as our opinions this time. I’m planning on making my Golden Grahams s’mores. we will also be joined by Mark Pryor, author of Blood Promise, the book we will be discussing.

Blood Promise is the third book to feature Hugo Marston, head of security for our embassy in Paris. He is assigned to protect a U.S. senator brokering a treaty at a country chateau. After some odd occurrences, the senator disappears. Hugo finds his search tied to an antique sailor’s box and a secret that goes as far back as The French Revolution.

Come join us on BookPeople’s third floor, Monday, December 17th, at 1PM. You’ll meet some great people and a great writer. The book is 10% off for those planning to participate.

IF YOU LIKE CRAIG JOHNSON

With holiday shopping in full gear, we thought it would be helpful to give a few reading or buying suggestions with books that share commonalities with some favorite authors. We’re starting with our store favorite Craig Johnson, whose Sheriff Longmire series mixes action, mystery, the western, and humor for a rustic, character driven thrillers like The Cold Dish and his latest The Depth Of Winter. Fans of his should enjoy these authors-

C.M. Wendleboe- A protege of Craig’s who put decades of law enforcement experience out west before he picked up the pen, C.M. Wendelboe mixes believable humor as he looks at different western societies. His series characters include Lakota FBI agent Manny Tanno (Death Along The Spirit Road) and  Arn Anderson, a private eye out of Cheyenne (Hunting The The Five Point Killer), as well as a cool western hero, Tucker Ashley (Backed To The Wall).

Terry Shames – Terry Shames’ retired police chief, Samuel Craddock, often gets called back to duty in his town of Jarret Creek Texas, since his replacement also doubles as the town drunk. Much like Johnson’s Longmire, Shames looks at the relationship between the lawman and the town he protects. The first book in the series is A Killing At Cotton Hill. Louise Penny fans would also enjoy these novels.

Adrian McKinty- You may wonder what the author of a sheriff in Wyoming has in common with an Irish crime writer who writes about The Troubles in Ireland. McKinty approaches his books featuring Sean Duffy, a Catholic police detective in Thatcher era Belfast, with similar attitude and humor. While bleaker, his Ireland is as rich and full of as many colorful characters as Johnson’s Wyoming. The first book is The Cold, Cold Ground.

 

3 Picks for December

Atlanta Deathwatch Cover ImageAtlanta Deathwatch by Ralph Dennis

Brash Books is bringing back this acclaimed and hard to find series from the seventies featuring disgraced ex-cop Jim Hardman working the grimy streets of Atlanta as an unlicensed PI with former pro-baller Hump as back up. In this first outing Hardman looks into a murdered girl tied to both a street dealer and politician. Good gritty stuff, with subtle emotions, and lots of gunfire. These books partly inspired Joe Lansdale’s Hap & Leonard series.

 

Hearts of the Missing: A Mystery Cover ImageHearts Of The Missing by Carol Potenza

Winner of the Tony Hillerman prize, this mystery takes us into the Fire Sky tribe on New Mexico’s Tsiba-ashi D’yini reservation. Tribal police officer Sgt. Nicky Matthews’ discovery of a body without a heart leads to a history of other unsolved murders and a conspiracy on the reservation. Potenza explores the idea of identity in a well crafted debut that should hook any western mystery fan.

 

 

Nightfall Cover ImageNightfall/ Cassidy’s Girl/ Night Squad by David Goodis

Three fine books by one of the masters of classic noir. Whether the man on the run, the disgraced pilot-turned-bus driver caught between two women, or the shady cop torn between loyalties, all three of these intense tales show how no one captured the dark streets and lives of desperation like David Goodis. As crime writer Ed Gorman said, “David Goodis didn’t write novels, he wrote suicide notes.”  

PICK OF THE MONTH- WRONG LIGHT BY MATT COYLE

Matt Coyle has proved himself to be one of the best when it comes to tapping into the voice of the traditional private eye novel. The mood he creates between his series detective, Rick Cahill, its San Diego setting, and emotion of the story evokes Raymond Chandler and Ross Macdonald without treading into literary nostalgia. In his latest, The Wrong Light, Coyle finds a new tone for that melancholy voice.

Wrong Light (Rick Cahill #5) Cover ImageA radio station hires Nick to protect their sultry voiced evening host, Naomi Hendrix, from a stalker. As her tormentor closes in, Cahill learns of the secrets Naomi has been hiding, connected to a criminal past. Before long, he is in the middle of a deadly scam involving the FBI, Russian mob, and Irish gypsies.

Coyle develops a strong bond between, character, plot, and setting in the book. Coyle sets up an instant rapport with Rick and Naomi through the dialogue in their first meeting, that lends to his drive to help her and the possible heartbreak the job could lead to. Rick knows San Diego like the ex-cop he is and its changes reflect his age and connection to it. The book never forgets the detective moves the story. We watch every detail of Rick’s job, the stake outs and surveillances through his city and the interviewing of its people. Coyle builds a separation in these interaction, giving the feeling of private detection as lonely man’s work.

After the last book, Blood Truth, I was curious what Matt Coyle would do with Rick after wrapping up a major arc for the character. Right now, he seems to be a man in search of purpose, deciding to be the knight errant, tarnished armor or not. I look forward to going down many mean streets with Rick Cahill.