- Interview by Crime Fiction Coordinator Scott Montgomery
Every Day Above Ground, Glen Erik Hamilton’s latest novel to feature Afghan vet and “retired” heistman Van Shaw, has Shaw pulled back into one last score, but soon learns the gold bars he was to steal were bait for a trap. With military trained killers after him, Van must find out who set this up and if he’s the intended victim. Mr. Hamilton was kind enough to take a few questions about the book.
MysteryPeople Scott: This was the first time we’ve seen Van fully commit to a heist. What made you decide to have him commit to his old life with less life-or-death circumstances in the balance?
Glen Erik Hamilton: Although Van and his partner are technically committing burglary (along with a scattering of other light felonies), Van has convinced himself that it’s not harmful. The building is abandoned, and the safe they are cracking is thought to be long forgotten, its owner having died in prison. Van’s friend Hollis uses the analogy of a penny on the sidewalk – does it really belong to anyone? Combine that morally gray area with the fact that Van will lose his home unless he finds a way to pay the taxes and other money owed, and for him, it’s a one-time bending of his rules. How many of us wouldn’t make the same choice?
MPS: This book has shoot outs, car chases, and an underground fight match. Did you set out to make a more visceral, action-oriented book?
GEH: Not initially, but I’m glad it got there! Most of that action comes from Van being caught between two equally ruthless factions. Neither group – whether high-end enforcers or street-level thugs – is likely to balk at violence. Having set up that situation for Van, I enjoyed having him scramble and scrap just to keep from getting crushed. The best defense is a good offense.
MPS: In your latest, you introduce the character of Cyndra, a young daughter of Van’s partner. What did you want to do with a character who is a mirror of Van’s youth?
GEH: Van certainly sees echoes of his own past in Cyndra. They have both been in the foster system, and both have had parental figures in prison. Cyndra, if anything, has had it harder than Van did. Despite that, she’s a different generation, and her experience isn’t his. She’s not being raised as a criminal, as he was. So he cautions himself not to over-identify with this kid who shows up, or assume that she can deal with tougher situations than a thirteen-year-old should have to handle. That said, she’s a tough kid, and he admires her guts.
MPS: A subplot of Van’s childhood has been woven through all the books. What do you believe that adds to the books?
GEH: Besides the fun of writing them – I really enjoy creating short vignettes showing Van as a kid – I think those interstitial chapters give both me and the reader a deeper understanding of Van’s motivations. He’s not the most introspective adult, especially in his communication with those close to him. Seeing him as a vulnerable and brash boy of twelve helps us understand him. I include myself in that, because a lot of writing happens subconsciously. Those scenes in the past help me decipher the theme I may have been unaware of when writing the larger story in its first draft.
MPS: As a writer, what makes Van Shaw a character worth coming back to?
GEH: He’s a curious cat. On the surface, he’s a tough, highly experienced former soldier capable of handling any crisis. But his upbringing gives him a very flexible view of right and wrong, and a suspicious eye toward the law’s ability to protect and serve. Add the fact that subconsciously (there’s that word again) Van never expected to live as long as he has. Emotionally speaking, he’s behind the curve. He’s got a lot of growth ahead of him. From what readers have told me, they love all the action and the thrills and the mystery, but it’s the character relationships that keep them coming back. They want to know what’s next for Van and the people in his life. So do I.
You can find copies of Glen Erik Hamilton’s latest on our shelves and via bookpeople.com.