- Post by Crime Fiction Coordinator Scott Montgomery
In the upcoming short story anthology In Sunlight Or In Shadow: Stories Inspired by the Paintings of Edward Hopper, editor Lawrence Block presents a daunting challenge to his authors: pick a painting by Edward Hopper and write a story about it. Hopper was known as a non-narrative painter. When he used human subjects they come off more of a collection of shapes with few distinctive features than flesh and blood, with their two biggest activities being smoking and reading. What his work does supply is mood, which each of these writers tap into and bend to their own will.
Many use the subject and scene of the paintings as the focal point of the the narrative, telling us there is more than meets the eyes. This is true of the editor’s take on Automat. Stephen King uses A Room In New York‘s sedate appearance as a counterpoint of tension for the goings on behind the door behind the couple. Megan Abbott further explores her themes of female sexuality with the woman in “Girlie Show.” It comes as no surprise that she delves into the noir mood with which many Hopper painting are associated. It also has an opening line Megan wasn’t willing to say in public.
“Each story defies what we see on the the surface of the painting. Many go inside the painting, like a skilled jazz master with a standard, turning it inside out.”
Some add their series characters into the world of a painting, or incorporate multiple paintings into their tale. Michael Conelly uses the famous Nighthawks for a tale that takes us back to his character Harry Bosch’s private detective days, Jeffery Deaver uses Hotel By The Railroad and several other paintings for his cold war thriller.
Some stories have the painting as part of the protagonist’s world. Joe Lansdale makes the usherette in New York Theater the object of desire for his title character, “The Projectionist.” The story’s last line conjures up the loneliness and alienation inherent in much of Hopper’s work. Craig Ferguson’s “Taking Care Of Business” uses South Truro Church as the workplace for his dying lead. it is a funny, human look at friendship, life, faith, and death with another wonderful opening line, “The Reverend Jefferson T. Adams, beloved and respected minister for over fifty years, pulled deeply on the long fragile Jamaican style reefer and held the smoke deep in his lungs.”
In Sunlight Or In Shadow not only shows the in influence of Hopper on the writers, but how their imagination pushed that influence. Each story defies what we see on the the surface of the painting. Many go inside the painting, like a skilled jazz master with a standard, turning it inside out. It is fitting that an anthology concerning Hopper reminds us there is no boundary with art and artists.
In Sunlight or In Shadow comes out December 6th! Pre-order now!