Minerva Koenig has just published her debut novel, Nine Days, and will be speaking and signing her book on Friday, September 12, at 7pm, on BookPeople’s second floor. Minerva Koenig, when not writing mysteries, works as a licensed architect in Austin, and spends her days engaging in numerous activities, including wrangling cats and fighting the patriarchy.
Nine Days announces a great new voice in Minerva Koenig. The story sweeps in like a southwest breeze, dry in wit and hot in attitude. It is a book that embraces its characters, warts and all. It even goes so far as to practically celebrate their warts.
The lead heroine, Julia Kalas, is particularly unique. Short, round, and pushing forty, Julia used her California building renovation business as a cover for her husband’s gunrunning trade for decades. After the Aryan Brotherhood assassinates her husband, she finds herself in Witness Protection in a small Texas town, in a nice twist on the typical California-to-Texas move, stuck with a tough female marshal she refers to as “The Amazon” looking over her shoulder.
Julia finds work at a local bar owned by Hector, a man with his own dark past, and sparks between them soon fly. When a body turns up on top of the bar, Hector becomes the main suspect. To clear his name, Julia gets involved, using her own criminal contacts. She crisscrosses the state and the Southwest, getting in deeper and deeper, eluding The Amazon and a few bullets along the way.
It is Koenig’s love and respect for her characters that make this book pop. Many are unconventional and few are pretty. They and Koenig don’t ask you to like them and that’s why you love them. Julia herself makes no apologies for who she is and proves she can get a man as easy, sometimes easier, than some teen centerfold. Koenig understands that the way to her characters’ humanity is through their unconventionality.
Nine Days introduces us to a fresh hard-boiled voice. Koenig embraces the genre, yet doesn’t completely play by its rules. I can’t wait to see what other conventions she’ll break.
Minerva Koenig will be speaking and signing her latest novel, Nine Days, Friday, September 12, at 7 pm on BookPeople’s second floor. You can find copies of his new book on our shelves and via bookpeople.com.
We’ve already become fans of Mike McCrary with his novel, Remo Went Rogue. Check out the full review of Remo Went Rogue on this blog for more. Beyond the humor and fast-pacing, you’ll quickly learn that whether in the novel or this story from Out of the Gutter, McCrary is able to grab your attention immediately and have you follow a character, even if you don’t necessarily like them, to the very end. A nasty, gritty, though perhaps deserved, end. With McCrary, we are in good hands. Now, enjoy the ride.
“Let’s be clear. I am not a bad man.
A desperate man? Sure. A drunk with his fair share of struggles? Absolutely, but not a bad man.
A bad man is cruel. He profits from the weak, takes more than he gives and cares nothing about other people.
I have stolen from such a man…”
Reviewed by Scott
Some of the most entertaining crime fiction is simply about nasty people trying to get one over on each other. There is a visceral charge to get out of people unrestrained by morality. Mike McCrary understands this completely in his new novel, Remo Went Rogue.
The first chapter is a story of violence, told during sex. The violence involves a bank robbery committed by the Mashburn Brothers, who leave no witnesses. The sex is between Remo Cobb, their defense attorney, and the assistant district attorney. Remo has got the Mashburns to tell him where the money is and now he’s throwing the case, with the plan they’ll get either life or death.
But they don’t. When they get out they go looking for Remo with a Jesus loving psychopath and a lot of guns. Remo finds refuge with a contract killer he’s defended.
McCrary knows exactly what kind of book he’s writing and he delivers. He gives us a tight read, under 200 pages, that never stops moving. The action is clear, punchy, and visceral. All of of the conniving and brutality is viewed with a jaundiced eye that barely blinks. Any time the story seems to veer towards sentimentality, Remo’s slimy viewpoint swings it back on to the rough road.
Remo Went Rogue is a fun, fast ride. It is a mean, hard boiled novel with a fresh spin on the genre and filled with rich black humor. Now if someone will make the movie.
You can find Remo Went Rogue on our shelves and via bookpeople.com.
Dennis Lehane‘s The Drop had an interesting journey to becoming a published novel. It was originally a manuscript he shelved years ago, then later used a piece of for his acclaimed short story “Animal Control” that first appeared in Boston Noir. He later adapted the story into a film featuring Tom Hardy and James Gandolfini that will be released on September 12th. When asked if he’d be interested to do a tie-in novel, he took elements from the the manuscript that started it all. The result is a tight, emotional ride that will please old fans and find new ones.
The main character is Bob Saginoswki, a man life and circumstances have left behind. He works as a bartender for Cousin Marve, a one-time small-time gangster, whose bar is now owned by the Chechen mob as a temporary hiding place for their ill gotten gains, A drop bar. Living alone, with only visits to a local church, he has little outside Marve and the bar.
Two events upend this solitary, quiet existence. One is the discovery of an abused and abandoned pup in the trash outside the apartment of Nadia, a woman who has seen her share of damage. The two develop a tentative relationship after she helps him with the dog after he adopts it. Then Cousin Marve is robbed. The Chechens want their money from Bob and Marve or else. Both story lines entwine when the psychotic owner of the dog comes back to claim the animal.
This is a compact book with a lot packed in it. Everything locks into place perfectly. The story is well-paced as it builds to a wonderful, hard-boiled climax. Lehane introduces information, then holds back, revealing it’s importance at just the right time. With Bob, he gives us a lead we feel deeply for, hinting at something dark underneath. He’s Paddy Cayefsky’s Marty with a slow burn fuse. You don’t only root for him to get out alive, but still have his heart intact.
The Drop is everything a Dennis Lehane lover wants, especially fans of Mystic River and his Kenzie-Gennaro series. He mainlines human emotion from tough people in a hard world with little compromise and still give a slam-bang read. Now we wait for the Broadway musical version.
Frank Wheeler Jr. has just published his second novel, The Good Life, and boy, is it a doozy. Wheeler’s first book, The Wowzer, was well received as a debut novel upon its release in 2012. In The Good Life, Earl Haack Jr., raised by his policeman father to take a rather flexible approach to civil liberties, corruption, and brutality, works to take control of the drug trade in his hometown and carry on the family legacy. Haack is joined by his idiot brother and formidable ex-wife in his efforts to extend control over a huge and warring territory in what feels like equal parts Bad Lieutenant, The Godfather, and The Killer Inside Me.
The Good Life goes well alongside MysteryPeople’s September Pick of the Month, Benjamin Whitmer‘s new book Cry, Father - both star characters that go by Junior and have been virtually destroyed by the legacy of their fathers. While Whitmer’s tale focuses on the ways in which a father can try hard and still mess up, Wheeler’s novel takes a much more Machiavellian approach, showing the damage that can be done by a powerful and dangerous figure who deliberately sets out for his children to follow in his (bloody) footsteps.
Each part of Wheeler’s latest is both terrifying and tongue-in-cheek, starting with the title. “The Good Life” is the state motto of Nebraska, from whence the author hails and where the novel takes place. Another meaning for the title comes from Haack’s belief that he is creating a better world. By taking out the most violent drug traffickers and moderating the level of violence in the community through his own control of the drug trade, Earl Haack, Jr., thinks he can establish “the good life” for his hometown. Earl also understands that through his corrupt actions, he also gains for himself and his ex-wife “the good life” of a gangster, in stark contrast to any morally driven part of his character. The novel, like the title, draws attention to Earl’s hypocrisy throughout, and although the novel consists mainly of snappy dialogue and extreme violence, Wheeler takes just the right amount of time to meditate on the nature of morality.
Wheeler’s new novel is not only impeccably plotted but also perfectly choreographed, with stylish dialogue and hard, tight writing. Wheeler grounds the narrative well in his native Nebraska, but abstracts the struggles of his characters to represent much of the struggle of modern America as a whole. The Good Life reads like rural noir, but feels like a gangster flick. The entire novel is cinematic in its scope, and if Quentin Tarantino teamed up with Francis Ford Coppola to make a movie about small-town corrupt cops in Nebraska starring Mathew McConaughey and Salma Hayek, it might look something like this book. Hint, hint, Hollywood.
Copies of The Good Life are available via bookpeople.com and are coming soon to our shelves.
Review by Scott
Writer-director Samuel Fuller was a filmmaker from the fifties and sixties whose work still seems fresh, modern, and bold. His grab-you-by-the-throat intensity of style influenced the likes of Goddard, Scorsese, and Tarantino. What some may not know is that he wrote novels from the 1930s up until the the time of his death in 1997. Hard Case Crime gives us a look into this side of his talent by bringing us Brainquake, a Fuller novel that has just been published in the US and in English for the first time.
Fuller’s belief, “If the first scene doesn’t give you a hard-on then throw the goddamn thing away,” is applied to the first line of the novel: “Sixty seconds before the baby shot its father, leaves fell lazily in Central Park.” The murdered father is a mobster. Before the baby and mother are killed, Paul Pope, underworld bagman, saves them. Paul suffers from mental seizures which he refers to as “brainquakes,” where his mind spins into pink tinted images accompanied by piercing flute music. It is easy to picture Fuller’s avant garde camera cut loose during these passages. Paul falls for the mob widow, who he refers to as “ivory face”, setting up a series of events that ripple through the New York crime syndicate that employs him. The mob puts Father Flannigan, a contract killer who dresses like a priest and crucifies his targets, on to Paul as Flannigan’s next target.
Brainquake has the feel of a Sam Fuller film. The detailed life of a bagman is reminiscent of the attention brought to the lifestyle of the pickpocket Richard Widmark played in Pick Up On South Street. It portrays New York City with gritty realism mixed with pulp stylization. The dialogue blasts out like gunshots and his tabloid inspired prose has the punchy feel of his editing. The emotions are raw and heightened. Everything is heightened, yet retains the truth in its main characters.
Brainquake is full on Fuller. Those who have seen his interviews can hear his boisterous cigar stained voice in the writing. It is uncompromising, wild, tough, and goes right at you, giving a fresh perspective on a great, often under appreciated artist, while delivering a slam-bang read.
Copies of Brainquake are available on our shelves and via bookpeople.com.
Guest Post by Kira Peikoff
In my new book No Time to Die, Zoe Kincaid, a 20-year-old college dropout, has long endured a mystifying ailment that has stunted her development. The truth will shock her: she’s biologically stopped aging, and her DNA may hold the key to unlocking a secret sought since the dawn of time: why do we age and die? But with some powerful people willing to kill, soon Zoe finds herself at the center of a dangerous manhunt with epic consequences.
I created the character of Zoe after learning about the real-life case of Brooke Greenberg, an adolescent girl who had inexplicably stopped aging as a toddler. Today, six other similar girls have been identified, and they are all participating in a cutting-edge research study that aims to examine their DNA for shared mutations. The hope is that scientists will discover a gene (or group of genes) at the root of the aging process, which could then be turned on or off. Imagine being able to stop aging whenever you wanted; would you do it? I think I know your answer, but think again. What would it really be like to be forever young? Read No Time to Die to find out…
Copies of No Time to Die are available on our shelves and via bookpeople.com.