Blog Archives

Crime Fiction Friday: THE FLYING KREISSLERS by Scott Frank

crime scene
One of our recent stories was a Lawernce Block tale featuring Matt Scudder, the PI hero featured in the film adaptation of A Walk Among The Tombstones. This Friday we have a short story written by the writer-director, Scott Frank, that was on Popcorn Fiction. Scott Frank is the screenwriter of the acclaimed films Little Man Tate, Dead Again and The Lookout.  He has also adapted a number of titles for the screen, including Get Shorty, Out Of Sight, Minority Report and most recently, Marley & Me.

“The Flying Kreisslers” by Scott Frank

“As Ivan slowly let Rima slip from his grasp, he had no idea that her fall would become the stuff of Big Top legend everywhere. If you could have seen his face that night, you would have seen that Ivan’s mind was clearly somewhere else. Before this particular night, Ivan had caught Rima over thirty-five hundred times without incident. Theirs was a relationship based on trust; Rima knew that Ivan would always be there with strong hands and perfect timing. And Ivan knew that Rima would always be there, hanging in space, reaching for him. Sure, there were many close calls: Rima would step on his shoulder, scrape his ear with the point of her heel. Ivan would flinch from the pain, and loosen his hold on her leg, but in the end, he would always catch her. And sure, there had been hundreds of times where he almost dropped her. But he had never completely let go before. He was always there. He had always caught her. But, unfortunately, on that fateful night in Jnimski, he was thinking about something else.”

 

Click here to read the full story.

Hard Word Book Club takes on Samuel Fuller’s BRAINQUAKE

brainquake

HARD WORD BOOK CLUB TAKES ON TOUGH GUY AUTEUR AND NOVELIST SAMUEL FULLER

The Hard Word Book Club will wrap up this year with a hard boiled master of the screen and page, Samuel Fuller. Fuller was best known as a filmmaker with tough guy classics like Pick Up On South Street, Shock Corridor, and The Big Red One. He also wrote several novels, including The Dark Page. Hard Case Crime recently brought one of his last books, Brainquake, to the U.S. for the first time. We will be discussing it and all things Fuller.

Brainquake begins in classic Fuller fashion with a murder by baby. That odd rub-out starts a series of events that put a syndicate bag-man, who suffers from odd brain seizures, and a mob widow on the run from Father Flannigan, a hit man who dresses like a priest and crucifies his victims. It gets even more outrageous with the action moving from New York to France , with several reminders of Fuller films.

We’ll be starting our discussion of Brainquake on our third floor, October 29th at 7PM. After the discussion we’ll be screening The Typewriter, the Rifle, and the Movie Camera, a documentary on Samuel Fuller featuring Tim Robbins, Samuel Fuller, Quentin Tarantino, and Fuller himself. Books are 10% off to those who attend.

We will be taking a break for the holidays, but get ready to come back in January for our discussion of L.A. Confidential by James Ellroy.

3 Picks for October

Untitled
October is here, and as the weather cools, the end of the year stealthily approaches. But 2014 still has plenty in store for us, this month especially. Here are the three MysteryPeople picks for this month:


 

thicketThe Thicket by Joe Lansdale

One of the best from 2013 is finally coming out in paperback. At the turn of the last century in east Texas, a young man hires a bounty hunting dwarf, an African American tracker, and their hog find the outlaws who took his sister. Peter Dinklage just bought the rights to turn this into a movie. Full of humor and adventure, this book is loved by everyone who has read it.

 


final silenceThe Final Silence by Stuart Neville

Neville’s latest with Belfast police detective Jack Lennon. Lennon is asked by a former lover to look into go off the record to look into eight possible murders that may have happened and could compromise her politician father. Neville is a skilled storyteller who looks at the sins of his country with an unflinching and entertaining eye that becomes universal.

 


prison noirPrison Noir by Joyce Carol Oates

This may be the darkest book of the Akashic Noir series. The short stories, most written by current and former inmates, all take place in our country’s incarceration facilities. These are looks into life without freedom, both well written and unflinching.

Crime Fiction Friday: LET’S GET LOST by Lawrence Block

crime scene

If you’ve read my review or talked to me lately, you know I’ve become a huge fan of the adaptation of Lawrence Block’s Walk Among The Tombstones. For fans of the the New York PI, Matt Scudder, here’s a short story involving Matt from when he worked for the NYPD that appeared on the Mulholland Books website. Block gives the reader a good sense of what his hero’s morals were like at the time.

“LET’S GET LOST” by Lawrence Block

“When the phone call came I was parked in front of the television set in the front room, nursing a glass of bourbon and watching the Yankees.  It’s funny what you remember and what you don’t.  I remember that Thurman Munson had just hit a long foul that missed being a home run by no more than a foot, but I don’t remember who they were playing, or even what kind of a season they had that year.

I remember that the bourbon was J. W. Dant, and that I was drinking it on the rocks, but of course I would remember that.  I always remembered what I was drinking, though I didn’t always remember why…”

Click here to read the full story.

MysteryPeople Pick of the Month: THE PLOUGHMEN by Kim Zupan

The Ploughmen by Kim Zupan

On the heels of Benjamin Whitmer’s Cry Father, comes another dark look at the modern west with Kim Zupan’s debut, The Ploughmen. The novel meditates on the subjects of death, violence, and evil, finding humanity, but not a silver lining in those dark clouds. Even its main theme of human connection brings up more cold questions than warm answers.

The book features two men on opposite sides of the law. John Gload is a hired killer, practicing his trade for over half a century until an accomplice rats him out. Valentine Millimaki works as a sheriff’s deputy in Central Montana with a marriage failing due to life’s pressures. Both men have a history with death. Gload killed his first man at fourteen. As a boy, Millimaki discovered his mother’s body after she hung herself and it seems the last several missing  persons he’s searched for have been found dead.

Valentine becomes John’s guard during the night shift, as the killer awaits trail, asked to pull more information of past murders from him. What develops is a relationship that drives the novel. Millimaki resists calling him a friend, yet realizes he’s the closest thing to a person who understands him. Zupan writes Gload with the right amount of distance from the reader for us to get his charm but never quite trust him, even though we want to. Much of the suspense in the book comes from the effect each man will have on the other.

Zupan uses the Montana winter setting for all it is worth. The harshness and desolation mirrors the lives of these two men. The bareness and lack of population also shows how the cold, wide, empty space can make people on opposite ends simpatico. Like a skilled western film director, the author often allows the landscape to speak for his characters.

There is a belief that friends are the only people you choose to be a part of your life. The Ploughmen questions that thought as well as the nature of friendship itself in an approach both realistic and poetic. I look forward for the next subject Zupan chooses to look square in the eye.


The Ploughmen is currently available on our shelves and via bookpeople.com

Crime Fiction Friday: IN THE USUAL STERILE FASHION by Glenn Gray

crime scene
Glenn Gray has quickly gotten to be a favorite of ours. With his funny and often unsettling stories, usually involving the medical profession, Gray blends the lines between genres to produce something new and unique. This tale in Shotgun Honey is no different, and if you like this story, be sure to check out the MysteryPeople review of Gray’s collection The Little Boy Inside and Other Stories or our Q&A with the author.

“In the Usual Sterile Fashion” by Glenn Gray

“‘Dennis settled in his chair, the scent of cauterized tissue lingering in his nostrils. Stacks of medical texts loomed on the wood desk. One of the texts, a neurosurgical tome, was splayed open at his chest. Beside that, a dictaphone with mini-cassette.

He lifted the handset, began dictating the operative report…”

 

Click here to read the full story.

BOOK TO SCREEN: A WALK AMONG THE TOMBSTONES

a walk among the tombstones
A Walk Among The Tombstones is a movie many crime fiction fans have been waiting for. It is one of the more admired books from Lawrence Block’s Matthew Scudder series, and one of the touchstones of modern private eye writing. The adaptation was placed into the hands of writer-director Scott Frank, who is responsible for two of the best Elmore Leonard adaptations out there (Get Shorty and Out Of Sight), while his directorial debut, The Lookout, is one of the best crime films of this century so far. On paper, it was a tantalizing match, but there were also some reasons for trepidation. The book is the seventh in the series with Scudder in mid-transition, making it an odd choice to adapt to film. It is also close to 400 pages with an important sub-plot involving Matt’s girlfriend, Elaine, that contributes to that arc. On top of that, you have a lead character who is incredibly internal. After viewing the film and especially thinking about it after, one realizes that Scudder was in the right hands.

The film starts with a well executed and defining gunfight for Scudder. Then, after one of the most disturbing opening credit sequences you’ll see, the plot begins much like the book. Scudder, an unlicensed P.I. and recovered alcoholic (one of the main differences in the movie is he quits the day after that shoot-out) is approached by a fellow AA member to work for his brother. The brother, a drug trafficker, paid a ransom for his kidnapped wife, only to have her returned in pieces, wrapped like butcher meat. He wants Scudder to find the men responsible and bring them to him. Matt turns him down first, but takes the job, realizing the perpetrators are psychopaths, in it for the hunt and torture, and that they will do it again.

Most of the changes from page to screen come from Scott Frank’s compression of the tale to reach a manageable running time. A sharp bit of craftsmanship comes in reshaping a part of the book where a witness mistakenly believes there was a third suspect during the abduction of an earlier victim. Instead of this, Scott creates an unsettling yet utterly human character who gives Scudder three leads in one scene, though it took Scudder close to hundred pages to gather these in the book. Frank also had to jettison two supporting characters, a hooker who survived the psychos and the lawyer who represents her. Both alone are worth picking up the novel for.

Another character missing is Elaine, the call girl Scudder is at the start of the relationship with. She helps Matt in the investigation and his involvement with her marks a particular turning point in the series. It is in this book where Scudder makes the choice to truly connect with someone again or not.

Here, Scott Frank does something interesting. Instead of using the arc from the book, he tackles a small step in Scudder’s stumbling soul search. This is dealt with in his relationship with T.J., a street kid who acts as Matt’s Baker Street Irregular, portrayed without sentimentality by Brian “Astro” Bradley. He also uses a device employed by Block, where the shoot outside the bar becomes clearer as Scudder tells it in a more honest way. We’re seeing a man as he begins to realize his position in the dark world he has chosen for himself.

Fans will truly appreciate Liam Neeson’s performance. The actor allows his presence and natural gravitas do much of the work for him as he underplays with a worn and weary edge. He and Frank take a cue from the author, realizing the hero’s complexity’s and subtle contradictions, they simply let the character run and let the audience, like the reader, bring themselves to him. Early on we get to witness Scudder’s detached realism when he is asked if the corruption on NYPD made him quit the force and Neeson delivers the line. “No, I couldn’t have supported my family without it,” with perfect tone. At that point, we know we have our Scudder.

A Walk Among The Tombstones is a harsh film. I flinched at things I knew were coming from having read the book. With little gore and violence, we get the the the full impact of the very mean streets this private eye walks down. Much like Lawerence Block’s series, it pulls no punches, telling a very adult story and treating its audience as such. That alone makes it a film worth supporting.

Crime Fiction Friday: JUNKYARD DOG by Thomas Pluck

crime scene
Seems like dogs are marking their territory (so to speak) on crime fiction as of late. With the popularity of the Chet and Bernie series and Dennis Lehane’s short story Animal Control being turned into the film, The Drop. A few years back Thomas Pluck wrote this pitch black hard boiled for Plots With Guns about the love between a tough guy and his dog. Not for the squeamish.

“Junkyard Dog” by Thomas Pluck

 

“I like hard work. It keeps my mind right. A cool day’s best for it.

It’s cool this morning and still dark when I park by Earl’s house. He’s got a place on Frelinghuysen. He’s not on the porch like he usually is, waiting to waddle to my truck in his overalls, with a list of jobs on a scrap of yellow paper. Not today.

I eyeball up and down the street. It’s quiet, barely dawn. I like this hour, have since I was a boy. Feels like it’s just me in the world, and nothing hurts. I climb out, and a lady hurries into her car, fear in her eyes.

I don’t blame her none. I know how I look. Six and a half. Three fifty. And I got a dent in the side of my head like a bruised apple. But I never hurt no woman.

I walk up Earl’s driveway slow. Maybe he’ll come out, tell her I’m good. I slap his front door, her car squeals off. It needs a fan belt. I could fix it. She won’t let me.

‘That you, Denny?’

‘Yeah.’ I put my face by the little hole he looks through.

His locks open, sound like a good break in pool.

Earl’s a head shorter than me. Big belly fills his overalls. Horseshoe of gray hair on his shiny brown head, and a beard to match. I shave everything clean; probation officer said it made me less scary. I been with Earl six months now, moving junk and scrap. Officer Fiore was right…”

 

Click here to read the full story.

HARD WORD BOOK CLUB discusses JADE LADY BURNING

On September 24th, the Hard Word Book Club goes overseas and back in time with Martin Limón as he helps us discuss his novel Jade Lady Burning. The book is the first in the series featuring George Sueño and Ernie Bascom, two CID Army cops stationed in Korea during the Seventies. In Jade Lady Burning they are assigned the case of a murdered Korean girl  with a G.I. as their prime suspect. They soon discover the soldier isn’t as guilty as he looks and both the US and Korean governments want the murder swept under the rug.

Not only does the book introduce us to Sueño and Bascom, but everything that makes this series great. Limón was stationed in South Korea and always gives an authentic look at Army life overseas. His love of the country’s culture comes though as it clashes with Americans dealing with it. He uses the setting and cases to show how justice gets lost in bureaucracy and politics.

Martin Limón will be joining us, via conference call for our discussion of Jade Lady Burning. The discussion will start at 7PM, Wednesday , September 24th. Copies of Jade Lady Burning are 10% off to those who will attend.

MysteryPeople Interview; Reed Farrel Coleman

In Blindspot, Reed Farrel Coleman takes over Robert B. Parker’s
alcoholic small town police chief Jesse Stone. He puts Stone in the
middle of a case involving the mob, revenge, and some folks from in
days as a Minor League baseball player. Reed answered some questions
through e-mail we had about the book and his approach to this
established character.

MP: I’m sure there are challenges about taking on an established
character, but what’s fun about it?

RFC: The fun is the challenge of respecting the characters and the history
of the series while carving out a piece of it for yourself. It is both
yours and not yours and that is unique.

MP: Was there an aspect about Stone that gave you an “in” to approach him?

RFC: Indeed. It was his unresolved regret over the injury that ruined his
baseball career. Dealing with unresolved regret is something we all
can relate to and gave me my in to Jesse’s spirit.

MP: I heard that Parker wrote Jesse Stone to push himself into
different territory with third person omniscient. It has also showed
off other aspects of your writing we haven’t seen often. What muscle
did you enjoy exercising the most?

RFC: I am known for my intimate first person, which is in some ways the
polar opposite to how Mr. Parker wrote Jesse. The thing I enjoyed was
trying to bring an intimacy to Jesse, but not by being as intimate as
I am used to being with my own characters. Moe Prager, for example,
wore his heart on his sleeve. Jesse barely wears his sleeve on his
sleeve. So I had to learn to reveal Jesse through his actions. It’s
made me a better writer. At least I hope it has.

MP: One thing you get to do is cover the criminals point of view. Did
you notice anything different in writing for the bad guys?

RFC: Well that is one great advantage of third person omniscient with
multiple points of view. You can, if you so choose, get into the bad
guys’ heads. But the great pleasure for me in the book was getting
into all the bad guys’ heads, not just one. I think readers will be
surprised to see how not all bad guys are the same. How even the most
cold-blooded killer can change, even grow. I believe that subplot is
my favorite piece of BLIND SPOT. Jesse is such a great character:
complex, brave, stubborn. He is a study in strengths and foibles. But
it is writing the bad guys that was the most fun.

MP: You use a reunion of Jesse’s minor league baseball team as a
starting point. What drew you to that part of his past?

RFC: See my answer to your first question. It’s his biggest vulnerability.

MP: It seems that we get to see more of your humorous side than we
normally get to. Do you think there’s something about Stone or the
series that lends itself to that?

RFC: Absolutely. Jesse is actually quite funny in a kind of wry, quietly
sarcastic way. And I like that he can see his own follies as well as
others. I believe you will only laugh along with others who laugh at
themselves.

MP: Can you tell us about your original series your launching in the spring?

RFC: The novel is titled WHERE IT HURTS and it features retired Suffolk
County (New York) cop Gus Murphy. Gus is a guy who thinks he
understands the ways of the world, but when tragedy strikes his family
he realizes he understands nothing. It is the story of Gus healing
himself as he solves the murder of a petty criminal.

 

You can find Blindspot on our shelves now and via bookpeople.com.

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